This article considers Virginia Woolf’s late writing—The Years, Three Guineas, and Between the Acts—in the context of recent shifts within modernist studies. It examines a range of scholarly narratives about this period of Woolf’s writing, arguing for the importance of considering these three works alongside one another. Faced with the rise of fascism and the onset of World War II, Woolf became increasingly concerned not only with political change, but also with the forms and modes through which the sociopolitical is represented. Her own pacifist, feminist interrogation of the forces of tyranny at home and abroad led her to test out different genres and media as a response to political crisis. In particular, her late writing is characterized by a desire to defamiliarize conventional (whether militaristic or misogynist) ways of seeing and thinking.