This article provides a critical survey of English-language feminist work in aesthetics since the early 1970s. The aim is to focus on those areas of feminist inquiry that have most significantly affected philosophical aesthetics in the analytic tradition. Feminist aesthetics starts from the assumption that the historical domain of art and the aesthetic is itself patriarchal. At one level, it simply extends the analysis of patriarchy to the practices of art institutions, in particular to the treatment of women in and by these institutions (e.g. demotions in the status of female-authored artworks previously believed to be the work of male artists).