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This chapter provides an introduction to the influence of Byzantine architecture on its neighbors, in particular in Bulgaria, Serbia, medieval Rus’, and the Veneto and the Norman Kingdom of southern Italy. In particular, it notes the adoption of the cross-in-square church type in these territories and their adaption of the form to reflect local building practices and aesthetic choices. Also examined are new architectural types that combined Byzantine architectural ideas with local ones in hybrid forms. The influence of the Byzantine Great Palace on palace design outside of Byzantium is also noted.

The archaeology of al-Andalus did not emerge as a discipline until the end of the 1970s, slightly later than medieval archaeology in Northern Europe. Its spectacular development in subsequent decades goes hand in hand with the revision, sometimes conflicting, of a historiography which traditionally underestimated and sometimes even denied the societal transformations following the Arab-Berber conquest of 711. The principal themes of controversy relate to the degree of transformation that occurred, the existence of ruptures, and the “Oriental” character of the new political, social, and familial structures that emerged. Focusing on the materiality of historical processes, archaeology has made it possible to approach these debates from different perspectives and to give new meaning to the concepts of Islamization and Arabization. This chapter examines some of the most significant research themes in the archaeology of al-Andalus.

Although “magical” amulets are often overlooked in studies of early Christian material culture, they provide unique insight into the lives of early Christians. The high number of amulets that survive from antiquity, their presence in domestic and mortuary archaeological contexts, and frequent discussions of amulets in Late Antique literary sources indicate that they constituted an integral part of the fabric of religious life for early Christians. The appearance of Christian symbols on amulets, beginning in the second century and occurring with increasing frequency in the fourth century and afterward, reveals the increasing perception of Christian symbols as ritually potent among Christians and others in the Roman Empire. The forms, texts, and images on amulets reveal the fears and hopes that occupied the daily lives of early Christians, when amulets designed for ritual efficacy if not orthodoxy were believed to provide a defense against forces that would harm body and soul.

The Byzantines deployed an array of spiritual weapons for worship and protection, revealing links in the function and decoration of Christian amulets and private objects of devotion. The variety of these metal objects offers insight into the evolution of practices of belief from the Holy Land to Constantinople. The development of the cult of the True Cross relics in conjunction with a growth in popularity of saints’ relics following Iconoclasm, grounded in a growing belief in their intercessory powers, was gradually superseded by the cult of icons and development of miniature versions of icons, precious enkolpia carried on the chest. The Holy Rider spearing a female demon remained the most powerful image on amulets throughout the period considered.

This chapter examines the development of a distinctive early Christian genre: the icon. It does so by taking a relatively unknown, but important, example of a devotional panel in a U.S. collection with a (now) anonymous warrior saint trampling a demon while on horseback. This icon permits a methodological rumination on the means by which we come to think we know the historical meaning of such an object: our art historical premises, our photographic and museological knowledge of objects, and our own assumption about what constitutes a real “subject” in the past and in the present. This chapter attempts a kind of archaeology, an examination of strata in the icon, but really an anarchéologie of the icon, by which archaeology is problematized, undermined, in order to reveal the ways in which our culture has produced its histories.

This chapter explores the performance of light and shadows in two ancestral Pueblo rock art sites in southeast Utah. These sites possess anthropomorphic rock faces and modified features to create both anthropomorphic and zoomorphic images that we argue derive from mythological traditions of Pueblo peoples. Specifically, light/shadow patterns at these sites produce and interact with Bear and War Twin imagery on prominent dates of the solar calendar. Traditionally such imagery would be approached through rock art studies in terms of motifs and symbolic interpretations. The celestial component would be addressed by archaeoastronomers. Using object agency theory, we seek to contextualize these data as places where people communicated with their Bear and War Twin deities.

Creating, inviting, and repurposing sacrality was a fundamental quest of social behaviour in the medieval period. From the major shrines of cathedrals down to the portable sanctity of amulets, the pursuit of sacredness affected the everyday lives of Christian believers, helping to fashion memories and create heirlooms. Drawing on history, art history, anthropology, and folklore under the broad umbrella of material culture, this contribution takes a socially informed and trans-disciplinary approach to archaeology and seeks a holistic interpretation of the medieval past, one that does not neglect the intangible. This contribution seeks to underline the value of recent, new perspectives in this area and to broaden their application. Three overlapping themes are considered: relics, places, and mobility.

This chapter introduces the main ways in which archaeology has been used to investigate Arabia’s past during the Islamic era. While the potential for archaeology within the peninsula cannot be overstated, logistical obstacles and political difficulties have made field research difficult, with the result that it has lagged behind that of other areas in the Middle East. However, recent initiatives in most of the states within the Arabian Peninsula have meant that this is now one of the leading areas for archaeological research into Islamic society and culture. Although the chapter mentions some major recent archaeological projects, the aim is to highlight current trajectories of research rather than provide an exhaustive list of excavation and survey sites. Particular attention has been paid to settlement types, partly to counter ideas that the region was primarily inhabited by Bedouin nomads. The chapter emphasizes different regional traditions to reflect the geographical diversity of Arabia and its connections with other regions. The maritime cultures of the Gulf, the Red Sea, and the Indian Ocean are particularly important in this respect and have meant that Arabia is much less isolated than its often inhospitable interior would suggest.

The archaeology of early Christian churches has made important advancements in recent decades in Italy thanks to a large number of new excavations and scientific meetings, as well as the development of the project CARE (Corpus Architecturae Religiosae Europeae (IV–X saec.)), in which most Italian specialists are involved. This chapter suggests new lines of research, thus contributing to a revised historiography of the archaeology of early Christian churches in Italy between the fourth century and the end of the sixth century. It surveys some of the ecclesiastical complexes that have been reanalyzed in recent decades or recently discovered through archaeological excavations.

This chapter discusses new developments in the field of monastic archaeology and the archaeology of early monastic settlements. The presence of monastic communities in documentary and literary evidence has produced a wide array of studies of monasticism, but very few of these have considered the purpose-built environments or the remodeled natural environments for monastic habitation. This chapter therefore considers examples from Egypt, Gaza, Britain, and Ireland to illustrate the history of archaeological study of monastic life and the importance of integrating monastic archaeology into broader categories dealing with landscape, urbanization, and connectivity from the fourth century through the tenth century.

An understanding of medieval pilgrimage can be informed by the application of archaeological approaches to the physical evidence. This chapter outlines the evidence of pilgrimage within the historic landscape, demonstrates the existence of an infrastructure for the support of pilgrims, and applies a functional approach to interpreting the sometimes fugitive remains of shrines. Consideration is also given to the impressive material culture of pilgrimage souvenirs, and the evidence that this provides of pilgrims’ travels at home and abroad. Extraordinary insights can also be gained into the life experiences and personal faith of medieval individuals from the excavation of pilgrim burials.

This chapter discusses the archaeology of the New Testament as applied to Jesus and the gospels. The aim is to create a reliable social, economic, and material history of the origins and dissemination of the New Testament text. In the nineteenth century, certain New Testament and classical scholars studied the material culture of Roman-period Galilee as the context of the gospel traditions. The discipline moved from comparative analysis of inscriptions and other ancient texts to excavation of Jewish synagogues, Roman temples, houses, and domestic ritual baths. The discipline developed sophisticated methods to excavate artifacts, pottery, glass, coins, and stone vessels and to determine their distribution and stratigraphic position at a given site. This chapter reviews the archaeology of specific sites mentioned in the New Testament and several not mentioned to provide an archaeological reconstruction of the social, economic, political, and religious patterns of human life in Galilee and Judea.

This chapter presents an overview of the history, practice and results of Byzantine archaeology in modern Greece and Turkey. Originating in Classical and Early Christian archaeology, and Byzantine art history in the nineteenth and early twentieth centuries, its early focus was largely ecclesiastical; the modern field has widened to investigate the urbanism and rural settlements, fortifications, ecclesiastical, monastic and funerary monuments, along with remains of the Byzantine economy and landscape. The chapter considers sources, contemporary research goals and field methods, theoretical approaches, organization of field surveys and excavations, and the administration of archaeology in Greece and Turkey, as well as academic publishing and the place of the field in academia; It ends with a discussion of future prospects.

A study of medieval Armenian painting, church architecture, bas-relief sculpture, and other media demonstrates close attention to, and reception of, the art and culture of the Byzantine Empire. Historic Armenia (including the present-day Armenian Republic and territories in eastern Anatolia, southern Georgia, northwest Iran, and Azerbaijan) and the Armenian kingdom of Cilicia (1199–1375, southwestern Anatolia) had close relations with neighboring powers throughout the medieval era, and scholars, most prominently Sirarpie Der Nersessian, have long studied the presence of Byzantine ideas in Armenian art and architecture. The early medieval period, the “Age of the Kingdoms” (ninth to eleventh centuries), and twelfth- to fourteenth-century Cilicia demonstrate strong evidence for contact and familiarity with Byzantine culture. An examination of select cases demonstrates the diverse and dynamic nature of such appropriations, reflecting the complex and changing nature of political, social, religious, and cultural relations between empire and locality.

The fourth to seventh centuries were formative in the art and culture of Armenia. This era witnessed the conversion of the land to Christianity, the invention of the Armenian alphabet and the consequent development of a literary tradition, the formulation of a specific understanding of the nature of Christ, and the emergence of a striking and robust visual tradition. The architecture, stone sculpture, and mosaic pavements produced during this era attest to the integration of Armenians within the broader Mediterranean and Iranian worlds, and to the development of distinctive artistic forms and practices. This material thus offers powerful testimony of contemporary beliefs, social structures, and political conditions of Armenians living both within the historical homeland and in communities abroad.

The art of the catacombs was born in Rome between the second and third centuries and is manifested especially in the pictorial decorations of the cubicula and other hypogeal environments. The extremely simplified artistic typology echoes the Second Pompeian style through the use of red and green lines that run across the walls and the faces of the monuments. Initially this grid contained neutral figures selected from the pagan repertoire; later those images were replaced by Christian scenes inspired by biblical and salvific imagery. The art of the catacombs also includes funerary sculpture, particularly sarcophagi, and the so-called minor arts, such as gilded glass, ivory dolls, and mosaic tesserae. The catacombal decorations ended at the beginning of the fifth century, when funerary use ceased in these subterranean cemeteries.

The extent of Islamic archaeological research in Asia varies regionally. The reasons for this include different research interests as well as political factors. Varied research themes are also found and are considered including urbanism, land and maritime trade, and Islamization processes. The preservation of Islamic archaeological heritage is also a significant issue.

The early Christian archaeology of Asia Minor has recently developed into a discipline devoted to the contextualized study of the material remains of early Christianity. It has characterized Asia Minor as a region where—save some notable exceptions from mortuary contexts in Central Anatolia—the impact of the new faith on local material culture only became tangible in the course of the fourth century. During the fifth and sixth centuries Christianity would eventually conquer urban and rural landscapes through church construction in traditional as well as new foci of public space. At this time it also moved into the private sphere as household objects became decorated with Christian images and symbols.

Ethnohistoric evidence emphasizes the role of women in ritualized Aztec household practices and religion that were concerned not only with household maintenance or fertility but also with broader cosmological processes. This chapter supplements the limited written evidence for Aztec household rituals with a review of archaeological data on ritual features and artifacts, including burials, figurines, feasting ceramics, New Fire ceremony middens, and musical instruments. Archaeological findings add a political dimension to our understanding of Aztec household ritual—demonstrating that ritual also served in political negotiations of status and identity—and suggest a complex, bidirectional relationship between state and household-level ritual practices. Finally, excavations have revealed more variation in funerary rituals than can be appreciated in the primarily elite, Tenochtitlan-authored documentary record.