Abstract and Keywords
Since the 1980s, Mayas in the Yucatan Peninsula have produced a literary canon that seeks to distance itself from Indigenismo, or literature about the indigenous world by non-Indians. This literary canon, which ranges from poetry to theater, songs, prayers, narrative, testimonies, and legends, is an attempt on the part of the Mayas to affirm and establish their own literary and cultural authority. This chapter examines the origins of contemporary Maya literature in the Yucatan Peninsula, focusing on Jorge Cocom Pech’s 1997 autobiographical account Muk’ult’an in Nool (Grandfather’s Secrets). It looks at the book’s critique of modernity, as well as its affirmation of Maya cultural identity and indigenous knowledge. It also discusses the ambiguities and contradictions in Cocom Pech’s work, which favors a patriarchal Maya order that ignores the contribution of indigenous women.
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