Abstract and Keywords
This chapter is a chronological overview of some of the key developments in science fiction animated films, using the concept of the “thick text” as a way of understanding how the specific language of animation facilitates the metaphysical and metaphorical address of the genre. The discussion suggests that SF animation speaks to significant moments in the advances in technology and film form, while also referring to the rich tradition of SF literature and illustration. This enables such films to operate as modernist texts in times of social and cultural transition, and to explore notions of “space” and “time” as literal, aesthetic, and analogous phenomena. SF animation allows for a “scripted space” that nevertheless reimagines the world and self-reflexively foregrounds the relationship between scientific and technological interfaces and human creativity, consistently offering key insights about late-capitalist, postindustrial society and the human condition.
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