- The Oxford Handbook of the Literature of the U.S. South
- Literary and Textual Histories of the Native South
- Before Hypodescent: Whitening Equations in South America and the American South
- The Dying Confession of Joseph Hare: Transatlantic Highwaymen and Southern Outlaws in the Antebellum South
- Jackson’s Villes, Squares, and Frontiers of Democracy
- Locality and the Serial South
- The Long Shadow of Torture in the American South
- Masculine Sentiment, Racial Fetishism, and Same-Sex Desire in Antebellum Southern Literature
- Southern Affects: Field and Feeling in a Skeptical Age
- Not-So-Still Waters: Travelers to Florida and the Tropical Sublime
- Indian Knives and Color Lines: Mark Twain from Hannibal to the Jim Crow Raj
- Narrative and Counternarrative in <i>The Leopard’s Spots</i> and <i>The Marrow of Tradition</i>
- The Bright Side: African American Women and the Affective Archive of Southern Racial Uplift
- “Proffered for Your Perusal in Ring by Concentric Ring”: The South and the World in William Faulkner’s Fiction
- Richard Weaver, Lillian Smith, the South, and the World
- Arts of Abjection in James Agee, Walker Evans, and Luis Buñuel
- Tennessee Williams and the Burden of Southern Sexuality Studies
- Reimagining the South of Richard Wright: The Anti-Protest Writing of Albert Murray, Raymond Andrews, and Ernest Gaines
- Letter-Writing, Authorship, and Southern Women Modernists
- Nature and Spirituality in Contemporary Appalachian Poetry
- Southern Religion’s Sexual Charge and the National Imagination
- Their Confederate Kinfolk: African Americans’ Interracial Family Histories
- Mourning, Mockery, and the Post-South in Lars von Trier’s <i>Manderlay</i> and Geraldine Brooks’s <i>March</i>
- Made Things: Structuring Modernity in Southern Poetry
- Four Contemporary Latina/o Writers Ghost the U.S. South
- You Don’t Have to Be Born There: Immigration and Contemporary Fiction of the U.S. South
- Asian Americans, Racial Latency, Southern Traces
- The Woundedness of Southern Literature, Looking Away
Abstract and Keywords
Nineteenth-century southwestern humor and the civil-rights-era sitcom The Beverly Hillbillies are best thought of as “series” media productions, rather than in terms of the more familiar “serial” fiction. This chpater uses the series/serial distinction, which is important to television studies, to understand a larger question: why is it that the American South is so often thought of as a static place impervious to the currents of progress? It argues that the diegetic content of the humor often associated with the American South works in tandem with its dissemination in a series format. Together they figure the South as a locality where time does not flow, but rather pools and stagnates. The chapter also emphasizes how the southern series produces a fantasy of southern locality with consequences as material as any actually existing southern reality.
Lloyd Pratt is University Lecturer in American Literature and Associate Professor of English at the University of Oxford. He is the author of Archives of American Time: Literature and Modernity in the Nineteenth Century (University of Pennsylvania Press, 2010).
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