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date: 19 October 2019

Abstract and Keywords

Diaspora refers to the spatial scattering of a people such as Africans, who were formed by fragmentation. Africans and other black peoples were forced to imagine the world through fragmentation. In the case of African Americans, public imaginaries essentially involve the remaking of a public, black, white, and everything in between. This essay examines a set of theologically conditioned imaginative frames that constitute an African American public imaginary. It first looks at how a public black body has been created, focusing on peoples of African descent with modern slavery, and how the black body as commodity helped to generate public space in the modern West and especially North America. It then considers the invention of cultural nationalism(s) among Africans before concluding with a discussion of bodies in need of discipline, recognition, integration, authenticity, transformation, and freedom from slavery.

Keywords: Africans, fragmentation, African Americans, public imaginary, black body, public space, cultural nationalism, freedom, slavery, authenticity

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