Abstract and Keywords
The chapter begins with a short overview of the history, structure, and themes of the commentary on Terence composed by the grammarian Aelius Donatus. The main discussion explores the audience and purposes of the commentary, showing that the scholia on delivery, language style, and stage movement reveal the multidimensional spectrum of readers’ interests, ranging from techniques of rhetoric to analyses of comic action. Following from scholia on gesture, the chapter refers to the challenging question of possible echoes of theater. A parallel study with the illustrated Terence manuscripts shows that both sources reflect a certain interest in staging. Donatus’s observations on performance confirm that he and his readers treat Terence’s comedy not simply as a literary but also as a dramatic genre. The concluding comparison with Eugraphius accentuates the multifaceted nature of the commentary.
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