Abstract and Keywords
Despite the fact that the London theatre companies were suspended from playing by order of Parliament in September 1642, an inhibition that lasted (with minor infractions) down to 1660, the seventeen years of theatrical activity during the Caroline period was a time of comparative prosperity and stability. The stability of Caroline playing was in some respects more apparent than real, since before the onset of the political crisis there were various factors that troubled theatrical activity (plague, competition between companies, conflicts between companies and managers, complaints from local residents). Nonetheless, around 1630 the total theatrical economy had achieved what we might think of as a steady state. When in that year the Salisbury Court playhouse in Whitefriars was opened as a new venture, the number of theatres and playing companies operating was at its peak and would remain stable for the next decade. During this period, five companies were active, performing at six venues. The dominant company was the King's Men, who alternated between two playhouses.
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