Abstract and Keywords
The art of Roman Britain has often been sidelined or even denigrated, largely as a result of modern sensibilities concerning quality. Focusing on the moment of creation alone overlooks the longevity of objects, and the multiple and even conflicting potential interpretations by contemporary and later observers. How accurately any given art object may have been read is a problematic issue and one that continues today; there is a false confidence in the simplicity of this task for modern observers, even on the most basic level of subject. The varied assemblage from Roman Britain should provide more than illustrations of the deities that might have been worshipped, or the apparent failings of its makers and users in terms of competency or aesthetics. Its eventual deposition is also more complex than simple disposal of redundant objects or destruction of hated idols. The art of Roman Britain still has much to offer.
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