Abstract and Keywords
This chapter discusses three methodological concerns about studying global Shakespeare—those touring and intercultural performances often thought to play a geopolitical role in cultural diplomacy. First, the postnational space for global arts is shaped by mutual influence and fluid cultural locations rather than by traditional notions of the nation state. It is therefore no longer useful to consider a production within one national context. Second, global Shakespeare as a field of study reflects the anxiety about cultural particularity and universality. Identifying the dynamics behind the production and reception of global Shakespeare will help us confront archival silences in the record of cultural globalization; what has been redacted, eliminated, or suppressed. Third, global citations of Shakespeare—whether in performances or by politicians—demonstrate a spectral quality. The spectre of global Shakespeare is a product of the politically articulated promise and perils of cultural difference.
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