- The Oxford Handbook of British Romanticism
- List of Illustrations
- Notes on Contributors
- Introduction
- Romanticism Before 1789
- The Revolutionary Decade
- The New Century: 1800–1815
- Post-War Romanticism
- The 1820s and Beyond
- England and Englishness
- Scotland and the North
- Wales and the West
- Ireland and Union
- Romantic Generations
- Poetry and Social Class
- The Spectrum of Fiction
- Gender Boundaries
- Literature for Children
- Freedom of Speech
- The Regulation of Theatres
- Poetic Defences and Manifestos
- Critical Judgement and the Reviewing Profession
- Trial Literature
- The Subjective Turn
- Literature and the Senses
- ‘High’ Romanticism: Literature and Drugs
- Writer-Physicians
- Orality and Improvisation
- Revision and Self-Citation
- Intertextual Dialogue
- Letters and Journals
- Book-Making
- Oeuvre-Making and Canon-Formation
- Celebrity and Anonymity
- Romantic Readers
- Non-Publication
- Literary Uses of Dialect
- Romantic Oratory
- Creative Translation
- The Ineffable
- The Romantic Lexicon
- Literature and Philosophy
- Practical Criticism
- Word and Image
- The Culture of Song
- The Greco-Roman Revival
- Orientalism and Hebraism
- Continental Romanticism in Britain
- British Romantics Abroad
- Transatlantic Engagements
- Index
Abstract and Keywords
This chapter proposes that our very notions of ‘literature’ and ‘philosophy’ are, to a great extent, forged in the Romantic era. The chapter surveys the eighteenth-century background to this issue in the sceptical empiricism of David Hume and the German transcendental idealism of Immanuel Kant, F. W. von Schelling, and J. G. Fichte. In examining the writings of William Blake, Edmund Burke, Samuel Taylor Coleridge, William Wordsworth, and William Hazlitt, it also charts the ways in which the revolutionary debates of the 1790s politicized the disciplines of philosophy and ‘theory’, leading to an anti-philosophical rhetoric in the work of writers such as Thomas Love Peacock, Charles Lamb, and Lord Byron. Finally, the chapter scrutinizes the boundaries between Romantic philosophy and the Scottish common-sense philosophy of Thomas Reid and Dugald Stewart, before examining the philosophical significance of the idea of ‘Literature’ in the work of Romantic writers, particularly Percy Shelley and John Keats.
Keywords: abstraction, empiricism, common sense, idealism, imagination, intuition, philosophy, power, reason, the sublime
Tim Milnes is Senior Lecturer in English Literature at the University of Edinburgh. He is the author of The Truth about Romanticism: Pragmatism and Idealism in Keats, Shelley, Coleridge (2010) and Knowledge and Indifference in English Romantic Prose (2003). He is also the co-editor (with Kerry Sinanan) of Romanticism, Sincerity, and Authenticity (2010). His new book The Testimony of Sense: Empiricism and the Essay from Hume to Hazlitt will be published by Oxford University Press.
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- The Oxford Handbook of British Romanticism
- List of Illustrations
- Notes on Contributors
- Introduction
- Romanticism Before 1789
- The Revolutionary Decade
- The New Century: 1800–1815
- Post-War Romanticism
- The 1820s and Beyond
- England and Englishness
- Scotland and the North
- Wales and the West
- Ireland and Union
- Romantic Generations
- Poetry and Social Class
- The Spectrum of Fiction
- Gender Boundaries
- Literature for Children
- Freedom of Speech
- The Regulation of Theatres
- Poetic Defences and Manifestos
- Critical Judgement and the Reviewing Profession
- Trial Literature
- The Subjective Turn
- Literature and the Senses
- ‘High’ Romanticism: Literature and Drugs
- Writer-Physicians
- Orality and Improvisation
- Revision and Self-Citation
- Intertextual Dialogue
- Letters and Journals
- Book-Making
- Oeuvre-Making and Canon-Formation
- Celebrity and Anonymity
- Romantic Readers
- Non-Publication
- Literary Uses of Dialect
- Romantic Oratory
- Creative Translation
- The Ineffable
- The Romantic Lexicon
- Literature and Philosophy
- Practical Criticism
- Word and Image
- The Culture of Song
- The Greco-Roman Revival
- Orientalism and Hebraism
- Continental Romanticism in Britain
- British Romantics Abroad
- Transatlantic Engagements
- Index