Abstract and Keywords
The chapter surveys the historical landscape of Chinese Christologies since the Tang dynasty, noting how the images of Christ relate to and impact specific cultural contexts. It also surveys four recent typological perspectives (the works of John P. Keenan, Kwok Pui-lan, Enoch Wan, and Jonathan Tan) discerning which Christology saves, and which destroys, China. Then, the chapter reconstructs, first, a distinctive Chinese Christology of Dao (way) that attempts to demonstrate the mutually transformative power between Christology and language, and, secondly, a Chinese Christology of Renren (a person who loves) that attempts to demonstrate Christ(ians) as the glorious image(s) of God. The main thesis of the chapter is that, such a biblical, contextual, and global Chinese Christology has the aspiration of ordering the world with beauty.
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