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date: 14 October 2019

Abstract and Keywords

This chapter examines intertheatricality in early modern drama and particularly the ways that intertheatrical moments reveal how a present mode of playing distinguishes itself from modes that precede it, but which it also preserves as a resource. Playgoing, it argues, implied the ability to pick out many different types of theatrical elements, at many different scales; what appears to us as a textual crux or lacuna may signify an especially dense point on a system of intertheatrical references that has been lost. Through an analysis of Elizabethan and Jacobean plays such as Thomas Kyd’s

The Spanish Tragedy

, the chapter considers a shift from a notion of allusion—which produces complexity of meaning by juxtaposing two or more texts—to a notion of the analogue as a resource of theatrical possibility, familiarity, and difference. It shows that the formal elements in circulation discerned by intertheatricality appear not only as forms, but also as themes of theatrical performance.

Keywords: intertheatricality, playing, playgoing, allusion, analogue, theatrical performance, Thomas Kyd, The Spanish Tragedy, plays, early modern drama

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