Abstract and Keywords
In October 1937, Samuel Beckett went to Paris but was forced to return to Ireland almost immediately to appear in court in connection with the libel suit filed by his uncle ‘Boss’ Sinclair against Oliver St John Gogarty. In Ireland, however, he was ridiculed in court as a ‘bawd and blasphemer’ from Paris, and decided to never live again in Ireland, although he could not completely disentangle himself from the land of his birth. Beckett's early career was characterised by the ritual denunciation of all or almost all things Irish in ‘Recent Irish Poetry’ (1934). In 1935, he published Echo's Bones, which contains poems that dwell repeatedly on love as a manifestation of exile-from-self. In Beckett and Contemporary Irish Writing, Stephen Watt compared two Irish poets, Derek Mahon and Paul Muldoon, to Beckett, who has also influenced the works of Thomas Kinsella, indicating subterranean links to the crystalline economy of early Irish lyrics.
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