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date: 18 July 2019

Abstract and Keywords

This chapter discusses the anthology of war, which it views as a political protest and an expression of solidarity during a time of national crisis. It states that anthologies serve as a way to sew poems together, and shows that these have played a central role in the creation and revision of the concepts of the ‘war poem’ and ‘war poet’. The chapter emphasizes that without the huge investment in war poetry, it is most likely that the works of Rosenberg, Owen, Sassoon, Auden, and Douglas would not have survived the two World Wars, and then looks at the role poetry played in making Britain as an ‘imagined community’. It also takes a look at the ‘Iconoclastic’ war poetry, the return of war poetry during the 1960s, and the 1960 anthologies of the Second World War verse.

Keywords: war anthology, political protest, national crisis, war poem, war poet, imagined community, Iconoclastic war poetry, 1960 anthologies, Second World War

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