- [UNTITLED]
- Acknowledgements
- List of Contributors
- Introduction
- Fighting Talk: Victorian War Poetry
- ‘Graver things … braver things’: Hardy's War Poetry
- From Dark Defile to Gethsemane: Rudyard Kipling's War Poetry
- War Poetry and the Realm of the Senses: Owen and Rosenberg
- ‘Many Sisters to Many Brothers’: The Women Poets of the First World War
- Wilfred Owen
- Shakespeare and the Great War
- Was there a Scottish War Literature? Scotland, Poetry, and the First World War
- War Poetry, or the Poetry of War? Isaac Rosenberg, David Jones, Ivor Gurney
- The Great War and Modernist Poetry
- A War of Friendship: Robert Graves and Siegfried Sassoon
- ‘Easter, 1916’: Yeats's First World War Poem
- ‘What the dawn will bring to light’: Credulity and Commitment in the Ideological Construction of ‘Spain’
- Unwriting the Good Fight: W. H. Auden's ‘Spain 1937’
- War, Politics, and Disappearing Poetry: Auden, Yeats, Empson
- ‘Others have come before you’: The Influence of Great War Poetry on Second World War Poets
- ‘Death's Proletariat’: Scottish Poets of the Second World War
- Occupying New Territory: Alun Llywelyn-Williams and Welsh-Language Poetry of the Second World War
- The Muse that Failed: Poetry and Patriotism during the Second World War
- Louis MacNeice's War
- Sidney Keyes in Historical Perspective
- Anthologizing War
- Women's Poetry of the First and Second World Wars
- War Pastorals
- The Poetry of Pain
- ‘Down in the terraces between the targets’: Civilians
- The War Remains of Keith Douglas and Ted Hughes
- ‘For Isaac Rosenberg’: Geoffrey Hill, Michael Longley, Cathal Ó Searcaigh
- The Fury and the Mire
- ‘This is plenty. This is more than enough’: Poetry and the Memory of the Second World War
- British Holocaust Poetry: Songs of Experience
- Quiet Americans: Responses to War in Some British and American Poetry of the 1960s
- Pointing to East and West: British Cold War Poetry
- ‘Dichtung und Wahrheit’: Contemporary War and the Non-combatant Poet
- ‘That dark permanence of ancient forms’: Negotiating with the Epic in Northern Irish Poetry of the Troubles
- ‘Stalled in the Pre-articulate’: Heaney, Poetry, and War
- Unavowed Engagement: Paul Muldoon as War Poet
- Index
Abstract and Keywords
This chapter examines modernist poetry during the Great War, beginning with a reading of In Parenthesis, which is influenced by T.S. Eliot's poem. It then provides a reading of the wartime writings of Ezra Pound and Eliot, who both witness the cultural and political upheaval in the British capital, and shows how these two poets mark this turning point and incorporate its impact in their own imaginative language. Next, the chapter turns to W.B. Yeats's verse of the same historical experience and then assesses the significance of the difference that Yeats's own Irish concerns make in his representation of the First World War. It also provides a detailed coverage of the major verse of literary modernism in Britain and Ireland.
Keywords: modernist poetry, In Parenthesis, wartime writings, T.S. Eliot, Ezra Pound, W.B. Yeats, imaginative language, literary modernism
Vincent Sherry is Distinguished Professor of English at Villanova University. His publications include The Uncommon Tongue: The Poetry and Criticism of Geoffrey Hill (1987); Ezra Pound, Wyndham Lewis, and Radical Modernism (1993); James Joyce; ULYSSES (1995); and The Great War and the Language of Modernism (2003). He has edited the Cambridge Companion to the Literature of the First World War (2005). He is currently writing a biography of Ezra Pound and a book-length study of English modernism and pan-European decadence.
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- [UNTITLED]
- Acknowledgements
- List of Contributors
- Introduction
- Fighting Talk: Victorian War Poetry
- ‘Graver things … braver things’: Hardy's War Poetry
- From Dark Defile to Gethsemane: Rudyard Kipling's War Poetry
- War Poetry and the Realm of the Senses: Owen and Rosenberg
- ‘Many Sisters to Many Brothers’: The Women Poets of the First World War
- Wilfred Owen
- Shakespeare and the Great War
- Was there a Scottish War Literature? Scotland, Poetry, and the First World War
- War Poetry, or the Poetry of War? Isaac Rosenberg, David Jones, Ivor Gurney
- The Great War and Modernist Poetry
- A War of Friendship: Robert Graves and Siegfried Sassoon
- ‘Easter, 1916’: Yeats's First World War Poem
- ‘What the dawn will bring to light’: Credulity and Commitment in the Ideological Construction of ‘Spain’
- Unwriting the Good Fight: W. H. Auden's ‘Spain 1937’
- War, Politics, and Disappearing Poetry: Auden, Yeats, Empson
- ‘Others have come before you’: The Influence of Great War Poetry on Second World War Poets
- ‘Death's Proletariat’: Scottish Poets of the Second World War
- Occupying New Territory: Alun Llywelyn-Williams and Welsh-Language Poetry of the Second World War
- The Muse that Failed: Poetry and Patriotism during the Second World War
- Louis MacNeice's War
- Sidney Keyes in Historical Perspective
- Anthologizing War
- Women's Poetry of the First and Second World Wars
- War Pastorals
- The Poetry of Pain
- ‘Down in the terraces between the targets’: Civilians
- The War Remains of Keith Douglas and Ted Hughes
- ‘For Isaac Rosenberg’: Geoffrey Hill, Michael Longley, Cathal Ó Searcaigh
- The Fury and the Mire
- ‘This is plenty. This is more than enough’: Poetry and the Memory of the Second World War
- British Holocaust Poetry: Songs of Experience
- Quiet Americans: Responses to War in Some British and American Poetry of the 1960s
- Pointing to East and West: British Cold War Poetry
- ‘Dichtung und Wahrheit’: Contemporary War and the Non-combatant Poet
- ‘That dark permanence of ancient forms’: Negotiating with the Epic in Northern Irish Poetry of the Troubles
- ‘Stalled in the Pre-articulate’: Heaney, Poetry, and War
- Unavowed Engagement: Paul Muldoon as War Poet
- Index
