Show Summary Details

Page of

PRINTED FROM OXFORD HANDBOOKS ONLINE (www.oxfordhandbooks.com). © Oxford University Press, 2018. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a title in Oxford Handbooks Online for personal use (for details see Privacy Policy and Legal Notice).

date: 20 July 2019

Abstract and Keywords

This article examines the history of modernism in the Caribbean region. It explains that the distinctive features of the early twentieth-century response to encroaching modernity can be represented as the spoils of the colonial adventures of the previous century and earlier. The article discusses US-based Jamaican novelist Michael Thelwell's view on the solipsism and obsolescence of modernism within black writing, and Stephen Slemon's opinion that modernism can be seen as a wholesale appropriation and refiguration of non-Western artistic practices by a society utterly committed to the preservation of its traditional prerogatives for gender, race, and class privilege.

Keywords: modernism, Caribbean region, colonial adventures, Michael Thelwell, solipsism, black writing, Stephen Slemon, artistic practices, class privilege

Access to the complete content on Oxford Handbooks Online requires a subscription or purchase. Public users are able to search the site and view the abstracts and keywords for each book and chapter without a subscription.

Please subscribe or login to access full text content.

If you have purchased a print title that contains an access token, please see the token for information about how to register your code.

For questions on access or troubleshooting, please check our FAQs, and if you can''t find the answer there, please contact us.