Abstract and Keywords
It has repeatedly been remarked that early medieval theology is conservative, derivative, and primarily oriented towards practical application. Nevertheless, at the significant points of intersection between theology and the earliest English literature, such as in Cædmon's Hymn, The Dream of the Rood, Beowulf, and the Genesis poems, one sees a highly sophisticated ‘blending of traditions’. Mainly, these traditions are Christian and pagan and Latin and vernacular, but there is also evidence of an innovative blending of styles or genres, particularly between poetry and homiletic prose, in ways that anticipated and influenced the literature and thinking of post-Conquest England. Just as how, for Gregory, the race of the Angles signified, in their appearance, angels and salvation to come, so too did what must originally have been a completely pagan notion of fate, or wyrd, become subordinated to a Christian God.
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