- The Oxford Handbook of Technology and Music Education
- Foreword
- List of Contributors
- About the Companion Website
- Editors’ Introduction: Narrating the Landscape of Technology and Music Education
- Thinking about Music and Technology
- Technology in Music Education in England and across Europe
- Savoring the Artistic Experience in an Age of Commodification
- Music Technology in Ethnomusicology
- The Role of “Place” and Context
- Slow Music
- Then and Now
- Globalization and Technology in Twenty-First-Century Education
- Technology in the Music Classroom—Navigating through a Dense Forest The Case of Greece
- Building a Broad View of Technology in Music Teacher Education
- Technology in the Music Classroom in Kenya
- Pondering an End to Technology in Music Education
- A Software Creator’s Perspective
- Where Might We Be Going?
- Loaded Questions for an Emerging World of Music Education Technology
- Mobile Learning in Music Education
- Critical Perspectives from Africa
- Interest-Driven Music Education: Youth, Technology, and Music Making Today
- Situating Technology within and without Music Education
- Human Potential, Technology, and Music Education
- “Placing” Technology within Music Education Communities
- The Promise and Pitfalls of the Digital Studio
- Musicking and Technology: A Further Swedish Perspective
- Exploring Intersections of Technology, Play, Informality, and Innovation
- Pedagogical Fundamentalism versus Radical Pedagogy in Music
- The Impact of Technologies on Society, Schools, and Music Learning
- Re-Situating Technology in Music Education
- Technology in PerspectiveWho is in Control?
- The Curious Musician
- On Becoming Musical: Technology, Possibilities, and Transformation
- Ebola SongsExploring the Role of Music in Public Health Education
- Thinking and Talking about Change in Music Education
- A Sociological Perspective on Technology and Music Education
- Power and Choice in the Teaching and Learning of Music
- Music Fluency: How Technology Refocuses Music Creation and Composition
- Playing (in) the Digital Studio
- Considering Music Technology and Literacy
- Technology and Music Collaboration for People with Significant Disabilities
- Prosumer Learners and Digital Arts Pedagogy
- A Pluralist Approach to Music Education
- Augmenting Music Teaching and Learning with Technology and Digital Media
- Possibilities for Inclusion with Music Technologies
- Getting in the Way?: Limitations of Technology in Community Music
- Meaningful and Relevant Technology Integration
- The Convergence of Networked Technologies in Music Teaching and Learning
- Narcissism, Romanticism, and Technology
- Pedagogical Decision-Making
- Equity and Access in Out-of-School Music Making
- Technology, Sound, and the Tuning of Place
- Traditions and Ways Forward in the United States
- Technology and Invisibility in Music Teacher Education
- Authentic Approaches to Music Education with Technology
- Technology in Music Initial Teacher Education
- Using Mobile Technologies and Problem-Seeking Pedagogies to Bridge Universities and Workplaces
- Application of Technology in Music Education in Selected African Countries
- Defining and Acknowledging Music Education Technology in Music Teacher Training
- Learner Engagement and Technology Integration
- Faculty Development in and through the Use of Information and Communication Technology
- Educators’ Roles and Professional Development
- Music Technology Pedagogy and Curricula
- Why Isn’t Music Education in the United States More Twenty-First-Century PC?
- Generating Intersections between Music and Technology
- Preparing for Change and Uncertainty
- Index
Abstract and Keywords
The convergence of the Internet and mobile phones with social networks—“networked technologies”—has been the subject of much recent debate. This chapter considers what new media researchers have already discerned regarding networked technologies; most important, that more significant than any given technology is how we use it, the effect(s) its use has on us, and the relationships we form through it and with it. Music education researchers and practitioners have tended to focus on technology as a knowable “thing”—that is, hardware and software with their “practical classroom applications”—and not the greater epistemological issues underlying its use. How will we engage musically in a meaningful way with a generation of students—“digital natives”—who have grown up technologically “tethered?” How will these different “ways of knowing” change music learning and teaching now and in the not-so-distant future?
Keywords: networked technologies, digital natives, “triple revolution”, “informal learning”, Internet evolution
Janice Waldron is an associate professor of Music Education at the University of Windsor. Her research interests—informal music learning practices, online music communities, social media and music learning, vernacular music, and participatory cultures—are reflected in her forthcoming Oxford Handbook of Social Media and Music Learning (with Stephanie Horsley and Kari Veblen). Published in Music Education Research; the International Journal of Music Education; Action, Criticism, and Theory in Music Education; the Journal of Music, Education, and Technology; and the Philosophy of Music Education Review, Dr. Waldron has also authored several Oxford Handbook chapters in its Music Education series. She serves on the editorial boards of Action, Theory, and Criticism in Music Education; the International Journal of Music Education; the Journal of Music, Education, and Technology; T.O.P.I.C.S; and she is the website editor for the Mayday Group. She was named ‘Outstanding Researcher: Emerging Scholar’ at the University of Windsor in 2012.
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- The Oxford Handbook of Technology and Music Education
- Foreword
- List of Contributors
- About the Companion Website
- Editors’ Introduction: Narrating the Landscape of Technology and Music Education
- Thinking about Music and Technology
- Technology in Music Education in England and across Europe
- Savoring the Artistic Experience in an Age of Commodification
- Music Technology in Ethnomusicology
- The Role of “Place” and Context
- Slow Music
- Then and Now
- Globalization and Technology in Twenty-First-Century Education
- Technology in the Music Classroom—Navigating through a Dense Forest The Case of Greece
- Building a Broad View of Technology in Music Teacher Education
- Technology in the Music Classroom in Kenya
- Pondering an End to Technology in Music Education
- A Software Creator’s Perspective
- Where Might We Be Going?
- Loaded Questions for an Emerging World of Music Education Technology
- Mobile Learning in Music Education
- Critical Perspectives from Africa
- Interest-Driven Music Education: Youth, Technology, and Music Making Today
- Situating Technology within and without Music Education
- Human Potential, Technology, and Music Education
- “Placing” Technology within Music Education Communities
- The Promise and Pitfalls of the Digital Studio
- Musicking and Technology: A Further Swedish Perspective
- Exploring Intersections of Technology, Play, Informality, and Innovation
- Pedagogical Fundamentalism versus Radical Pedagogy in Music
- The Impact of Technologies on Society, Schools, and Music Learning
- Re-Situating Technology in Music Education
- Technology in PerspectiveWho is in Control?
- The Curious Musician
- On Becoming Musical: Technology, Possibilities, and Transformation
- Ebola SongsExploring the Role of Music in Public Health Education
- Thinking and Talking about Change in Music Education
- A Sociological Perspective on Technology and Music Education
- Power and Choice in the Teaching and Learning of Music
- Music Fluency: How Technology Refocuses Music Creation and Composition
- Playing (in) the Digital Studio
- Considering Music Technology and Literacy
- Technology and Music Collaboration for People with Significant Disabilities
- Prosumer Learners and Digital Arts Pedagogy
- A Pluralist Approach to Music Education
- Augmenting Music Teaching and Learning with Technology and Digital Media
- Possibilities for Inclusion with Music Technologies
- Getting in the Way?: Limitations of Technology in Community Music
- Meaningful and Relevant Technology Integration
- The Convergence of Networked Technologies in Music Teaching and Learning
- Narcissism, Romanticism, and Technology
- Pedagogical Decision-Making
- Equity and Access in Out-of-School Music Making
- Technology, Sound, and the Tuning of Place
- Traditions and Ways Forward in the United States
- Technology and Invisibility in Music Teacher Education
- Authentic Approaches to Music Education with Technology
- Technology in Music Initial Teacher Education
- Using Mobile Technologies and Problem-Seeking Pedagogies to Bridge Universities and Workplaces
- Application of Technology in Music Education in Selected African Countries
- Defining and Acknowledging Music Education Technology in Music Teacher Training
- Learner Engagement and Technology Integration
- Faculty Development in and through the Use of Information and Communication Technology
- Educators’ Roles and Professional Development
- Music Technology Pedagogy and Curricula
- Why Isn’t Music Education in the United States More Twenty-First-Century PC?
- Generating Intersections between Music and Technology
- Preparing for Change and Uncertainty
- Index