- Copyright Page
- List of Contributors
- The Archaeology of Early Christianity: The History, Methods, and State of a Field
- Archaeology of the Gospels
- New Testament Archaeology Beyond the Gospels
- The Catacombs
- Burials and Human Remains of the Eastern Mediterranean in Early Christian Context
- The Archaeology of Early Monastic Communities
- Baptisteries in Ancient Sites and Rites
- Baths, Christianity, and Bathing Culture in Late Antiquity
- The Art of the Catacombs
- Visual Rhetoric of Early Christian Reliquaries
- An <i>Anarchéologie</i> of Icons
- Spolia and the “Victory of Christianity”
- Early Christian Mosaics in Context
- Amulets and the Ritual Efficacy of Christian Symbols
- Christian Archaeology in Palestine: The Roman and Byzantine Periods
- The Church of the East Until the Eighth Century
- The Holy Island: An Archaeology of Early Christian Cyprus
- Asia Minor
- Community, Church, and Conversion in the Prefecture of Illyricum and the Cyclades
- The Early Christian Archaeology of the Balkans
- The Archaeology of Early Italian Churches in Context, 313–569 CE
- The Christianization of Gaul: Buildings and Territories
- Britain and Ireland, 100–700 CE
- Christian Landscapes in the Iberian Peninsula: The Archaeological Evidence (Fourth–Sixth Centuries)
- Incorporating Christian Communities in North Africa: Churches as Bodies of Communal History
- Archaeology of Early Christianity in Egypt
Abstract and Keywords
The fourth to seventh centuries were formative in the art and culture of Armenia. This era witnessed the conversion of the land to Christianity, the invention of the Armenian alphabet and the consequent development of a literary tradition, the formulation of a specific understanding of the nature of Christ, and the emergence of a striking and robust visual tradition. The architecture, stone sculpture, and mosaic pavements produced during this era attest to the integration of Armenians within the broader Mediterranean and Iranian worlds, and to the development of distinctive artistic forms and practices. This material thus offers powerful testimony of contemporary beliefs, social structures, and political conditions of Armenians living both within the historical homeland and in communities abroad.
Christina Maranci, Arthur H. Dadian and Ara T. Oztemel Professor of Armenian Art and Architecture, Tufts University, Medford, Massachusetts, USA.
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