- Copyright Page
- List of Contributors
- Words or Things in American History?
- Artifacts and Their Functions
- Mastery, Artifice, and the Natural Order: A Jewel from the Early Modern Pearl Industry
- Food and Cognition: <i>Henry Norwood’s</i> A Voyage to Virginia
- On Pins and Needles: Straight Pins, Safety Pins, and Spectacularity
- Mind, Time, and Material Engagement
- Material Time
- Remaking the Kitchen, 1800–1850
- Boston Electric: Science by “Mail Order” and Bricolage at Colonial Harvard
- Making Knowledge Claims in the Eighteenth-Century British Museum
- The Ever-Changing Technology and Significance of Silk on the Silk Road
- Science, Play, and the Material Culture of Twentieth-Century American Boyhood
- The Sensory Web of Vision: Enchantment and Agency in Religious Material Culture
- Sensiotics, or the Study of the Senses in Material Culture and History in Africa and Beyond
- The Numinous Body and the Symbolism of Human Remains
- Symbolic Things and Social Performance: Christmas Nativity Scenes in Late Nineteenth-Century Santiago de Chile
- Heritage Religion and the Mormons
- From Confiscation to Collection: The Objects of China’s Cultural Revolution
- Persons and Things in Marseille and Lucca, 1300–1450
- Cloth and the Rituals of Encounter in La Florida: Weaving and Unraveling the Code
- Street “Luxuries”: Food Hawking in Early Modern Rome
- Ebony and Ivory: Pianos, People, Property, and Freedom on the Plantation, 1861–1870
- The Material Culture of Furniture Production in the British Colonies
- Material Culture, Museums, and the Creation of Multiple Meanings
- Chronology and Time: Northern European Coastal Settlements and Societies, c. 500–1050
- Materialities in the Making of World Histories: South Asia and the South Pacific
- Mapping History in Clay and Skin: Strategies for Remembrance among Ga’ anda of Northeastern Nigeria
- Remember Me: Sensibility and the Sacred in Early Mormonism
- Housing History: The Colonial Revival as Consumer Culture
- Collecting as Historical Practice and the Conundrum of the Unmoored Object
Abstract and Keywords
Electricity was a new and developing field of research during the eighteenth century. With a focus on the experimental apparatus employed and the sociable exchange of ideas, this chapter examines how electricity was taught to Harvard students and members of polite society in the Boston area over the course of the century. Without local instrument makers or suppliers of glass and brass parts, colonial American experimenters had to import equipment and repair parts from London. When time and money discouraged imports, they became bricoleurs, incorporating recycled, traded, and ready-to-hand materials into their apparatus. Benjamin Franklin was an important intermediary in getting scientific instruments from London to Boston and Cambridge, and he shared instructional know-how so that locals could assemble their own Leyden jars and other electrical instruments.
Sara J. Schechner is David P. Wheatland Curator of the Harvard University Collection of Historical Scientific Instruments.
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