Abstract and Keywords
This essay is focused on (post)subculture and disability, and specifically on the popular musical subculture of punk rock. It considers the extent to which punk rock in the 1970s and after opened up a space in music for disabled performers and audience members. There are two main areas of discussion. First, questions of subculture and counterculture are explored, in terms of both cultural studies theory and disability. Second is a focus on the original British punk scene of the late 1970s and three major artists, varyingly disabled, from it. These are Ian Dury, Johnny Rotten of the Sex Pistols, and Ian Curtis of Joy Division.
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