Show Summary Details

Page of

PRINTED FROM OXFORD HANDBOOKS ONLINE (www.oxfordhandbooks.com). © Oxford University Press, 2018. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a title in Oxford Handbooks Online for personal use (for details see Privacy Policy and Legal Notice).

date: 21 October 2020

Abstract and Keywords

This chapter outlines the changes in perceptions of electronic dance music across the phase of the introduction of virtuality. The chapter argues that such music must be read in relation to its conception of its audience, and that the audience, often cognitively impaired, responds to the music in a way that suggests ideological positions that redeem the music from accusations of cliché and racism. The chapter notes early theorizing of virtuality as giving rise to the idea or potential of a proletarian collective, as was realized in aspects of rave cultures, as associated with the idea of the “temporary autonomous zone.” The chapter turns to specific case studies from the work of Layo and Bushwacka! and Leftfield.

Keywords: EDM, TAZ, DJ, acid house, dancing, guru register, Californian Ideology, Layo and Bushwacka!, Orientalism, Leftfield (dance group)

Access to the complete content on Oxford Handbooks Online requires a subscription or purchase. Public users are able to search the site and view the abstracts and keywords for each book and chapter without a subscription.

Please subscribe or login to access full text content.

If you have purchased a print title that contains an access token, please see the token for information about how to register your code.

For questions on access or troubleshooting, please check our FAQs, and if you can''t find the answer there, please contact us.