- The Oxford Handbook of Jack London
- Dedication
- Acknowledgments
- List of Contributors
- Introduction
- Life on the Pacific Rim: The Ideology of The Overland Monthly
- The Facts of Life and Literature
- Family, Friends, Mentors
- Jack London, Marriage, and Divorce
- “Never Had Much Difficulty”: Jack London, George Brett, and the Macmillan Company
- Jack London’s International Reputation
- “The Feels”: Jack London and the New Mass Cultural Public Sphere
- Jack London, War, and the Journalism that Acts
- “In the Thick of It”: The (Meta)Discourse of Jack London’s Russo-Japanese War Correspondence
- “Come Down from the Mountain Top and Join the Fray”: Jack London’s Role in the Mexican Revolution
- The Essays, Articles, and Lectures of Jack London
- Jack London as Playwright
- Jack London as Poet
- The Atavistic Nightmare: Memory and Recapitulation in Jack London’s Ghost and Fantasy Stories
- Darwin’s Anachronisms: Liberalism and Conservative Temporality in The Son of the Wolf
- The People of the Abyss: Tensions and Tenements in the Capital of Poverty
- Canine Narration
- Making Sense of Jack London’s Confusion of Genres in The Sea-Wolf
- The Iron Heel and the Contemporary Bourgeois Novel
- “Mix According to Formula”: Martin Eden and the Question of Genre
- Burning Daylight
- Jack London’s Sci-Fi Finale
- The Valley of the Moon: Quest for Love, Land, and a Home
- “A Curious Sort of Book”: Jack London’s The Star Rover and the Politics of Prison Reform
- Cherry, Unfinished Business: Race, Class, and the American Empire
- Sex and Science in Jack London’s America
- From Atavistic Gutter-Wolves to Anglo-Saxon Wolf: Evolution and Technology in Jack London’s Urban Industrial Modernity
- A Bestiary from the Age of Jack London
- “The Ragged Edge of Nonentity”: Jack London and the Transformation of the Tramp, 1878–1907
- Jack London and Physical Culture
- The Sovereign Logic of Jack London’s Sea Stories
- “See Things in New Ways”: Jack London, Socialism, and the Conversionary Model of Politics
- Jack London, Suffering, and the Ideal of Masculine Toughness
- Women’s Rights, Women’s Lives
- Blurred Lines: The Illustration of Jack London
- Index
Abstract and Keywords
A bold, imaginative work, The Star Rover demonstrates Jack London’s inventive approach to the social-protest genre. London mixes in the typical problem-novel ingredients: gritty, realistic details; sympathetic, downtrodden victims; greedy capitalist villains and their muscle-headed henchmen; brisk, often violent, action; outraged invective; individual and collective resistance; and radical action for precipitating change. But, in the process of exposing conditions within American prisons, London deviates sharply and creatively in The Star Rover—not only from the conventions of protest writing but also from the type of writing that normally assured him of good sales and positive reviews.
Keywords: Star Rover, protest fiction, prison reform, genetic memory, Ed Morrell, Jake Oppenheimer
Susan I. Gatti is Professor Emerita at the Indiana University of Pennsylvania.
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- The Oxford Handbook of Jack London
- Dedication
- Acknowledgments
- List of Contributors
- Introduction
- Life on the Pacific Rim: The Ideology of The Overland Monthly
- The Facts of Life and Literature
- Family, Friends, Mentors
- Jack London, Marriage, and Divorce
- “Never Had Much Difficulty”: Jack London, George Brett, and the Macmillan Company
- Jack London’s International Reputation
- “The Feels”: Jack London and the New Mass Cultural Public Sphere
- Jack London, War, and the Journalism that Acts
- “In the Thick of It”: The (Meta)Discourse of Jack London’s Russo-Japanese War Correspondence
- “Come Down from the Mountain Top and Join the Fray”: Jack London’s Role in the Mexican Revolution
- The Essays, Articles, and Lectures of Jack London
- Jack London as Playwright
- Jack London as Poet
- The Atavistic Nightmare: Memory and Recapitulation in Jack London’s Ghost and Fantasy Stories
- Darwin’s Anachronisms: Liberalism and Conservative Temporality in The Son of the Wolf
- The People of the Abyss: Tensions and Tenements in the Capital of Poverty
- Canine Narration
- Making Sense of Jack London’s Confusion of Genres in The Sea-Wolf
- The Iron Heel and the Contemporary Bourgeois Novel
- “Mix According to Formula”: Martin Eden and the Question of Genre
- Burning Daylight
- Jack London’s Sci-Fi Finale
- The Valley of the Moon: Quest for Love, Land, and a Home
- “A Curious Sort of Book”: Jack London’s The Star Rover and the Politics of Prison Reform
- Cherry, Unfinished Business: Race, Class, and the American Empire
- Sex and Science in Jack London’s America
- From Atavistic Gutter-Wolves to Anglo-Saxon Wolf: Evolution and Technology in Jack London’s Urban Industrial Modernity
- A Bestiary from the Age of Jack London
- “The Ragged Edge of Nonentity”: Jack London and the Transformation of the Tramp, 1878–1907
- Jack London and Physical Culture
- The Sovereign Logic of Jack London’s Sea Stories
- “See Things in New Ways”: Jack London, Socialism, and the Conversionary Model of Politics
- Jack London, Suffering, and the Ideal of Masculine Toughness
- Women’s Rights, Women’s Lives
- Blurred Lines: The Illustration of Jack London
- Index