- Middle English
- List of Illustrations
- Notes on Contributors
- Introduction
- Manuscript Matrix, Modern Canon
- Multilingualism
- Multilingualism on the Page
- Translation
- Aurality
- Books
- Temporalities
- Symbolic Economies
- Authority
- Institutions
- Form
- Episodes
- Beauty
- Imaginative Theory
- Feeling
- Conflict
- Genre Without System
- Liturgy
- Vision, Image, Text
- Saintly Exemplarity
- Speculative Genealogies
- Incarnational (Auto)Biography
- Drama as Textual Practice
- Vernacular Theology
- Heresy and Humanism
- Authorial Work
- Learning to Live
- Gossip and (un) Official Writing
- The Poetics of Practicality
- Index of Medieval Authors and Titles
- Index of Names
- Subject Index
Abstract and Keywords
One of the stanzas in “To Rosemounde,” a poem tentatively ascribed to Geoffrey Chaucer, mentions a pike steeped in galantine sauce that creates a moment of confusion. The fish in question might be described as a moment of ungenre, of disorientation within a text. The problematic nature of attempting taxonomies of medieval genres has been pointed out in medieval texts. This article examines generic terms in Middle English literature, what they meant, and whether they were regulated by a system. To address these issues, the use of three generic markers, each representative of a different strand of influence in literature written in Middle English, is considered: romaunce, balade, and tragedye. The article also discusses the tendency of the names of writing to appear in combination with other generic markers, rather than in isolation, as well as the implications of that tendency toward combination or mixing.
Keywords: To Rosemounde, Geoffrey Chaucer, ungenre, generic terms, Middle English literature, generic markers, romaunce, balade, tragedye, mixing
Alfred Hiatt is a Reader in Medieval Literature in the School of English and Drama, Queen Mary, University of London. He is the author of The Making of Medieval Forgeries: False Documents in Fifteenth-Century England (2004) and Terra Incognita: Mapping the Antipodes before 1600 (2008). He is currently working on a book on medieval maps.
Access to the complete content on Oxford Handbooks Online requires a subscription or purchase. Public users are able to search the site and view the abstracts and keywords for each book and chapter without a subscription.
Please subscribe or login to access full text content.
If you have purchased a print title that contains an access token, please see the token for information about how to register your code.
For questions on access or troubleshooting, please check our FAQs, and if you can''t find the answer there, please contact us.
- Middle English
- List of Illustrations
- Notes on Contributors
- Introduction
- Manuscript Matrix, Modern Canon
- Multilingualism
- Multilingualism on the Page
- Translation
- Aurality
- Books
- Temporalities
- Symbolic Economies
- Authority
- Institutions
- Form
- Episodes
- Beauty
- Imaginative Theory
- Feeling
- Conflict
- Genre Without System
- Liturgy
- Vision, Image, Text
- Saintly Exemplarity
- Speculative Genealogies
- Incarnational (Auto)Biography
- Drama as Textual Practice
- Vernacular Theology
- Heresy and Humanism
- Authorial Work
- Learning to Live
- Gossip and (un) Official Writing
- The Poetics of Practicality
- Index of Medieval Authors and Titles
- Index of Names
- Subject Index