Show Summary Details

Page of

PRINTED FROM OXFORD HANDBOOKS ONLINE (www.oxfordhandbooks.com). © Oxford University Press, 2018. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a title in Oxford Handbooks Online for personal use (for details see Privacy Policy and Legal Notice).

date: 19 October 2019

Abstract and Keywords

This article investigates the visual elegy on the nineteenth-century painting. It also addresses several kinds of art — primarily paintings — that provide alternatives to memorial and grave arts: pictorial equivalents to the complex reflections of poetic elegies. It concentrates on the elegiac pastoral pictures of the sixteenth and seventeenth centuries; romantic ruin-painting; some disturbing variations of the Victorian scene of domestic mourning; and twentieth-century images that combine grief with anger relating to the mass brutalities of war or holocaust, mourning too the inadequacies of traditional elegy faced with these forms of modern death. Scenes of domestic death and mourning, particularly those of children, were a staple of Victorian popular fiction and poetry and the prints and paintings that illustrated it. The immediacy of painting is a resource that can make silent images sharpen attention to the most subtle as to the most extreme forms of feeling.

Keywords: visual elegy, elegiac pastoral pictures, romantic ruin-painting, domestic mourning, grief, anger, domestic death

Access to the complete content on Oxford Handbooks Online requires a subscription or purchase. Public users are able to search the site and view the abstracts and keywords for each book and chapter without a subscription.

Please subscribe or login to access full text content.

If you have purchased a print title that contains an access token, please see the token for information about how to register your code.

For questions on access or troubleshooting, please check our FAQs, and if you can''t find the answer there, please contact us.