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date: 10 July 2020

Abstract and Keywords

In ancient Greek thought, Hades constitutes, inter alia, the incarnation of the invisible— an apparent contradiction of efforts to represent the dark kingdom of the lord of dead. After a brief review of the special vocabulary, imagery, and connotations associated with darkness in poetic and philosophical thinking, this chapter investigates the main devices used in mythic narratives as well as in real religious topography to insinuate darkness and invisibility. An astute use of natural landscape features and architectural elements, such as natural or artificial chasms, narrow passages, cloudy atmosphere, shadowing, and reflective effects tries to anticipate the features of the Otherworld and/or to permit a protected, although slightly distorted, view of the unseeable. Particular emphasis is given to the role of caves and ever-flowing rivers and streams, but also of still water of pools and lakes, an element which acquires an increasing importance from the classical period onwards.

Keywords: Hades, darkness, invisibility, ploutôneion/charôneion, Acheron, Acherousian lake, mirroring effects, dreams, necromancy

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