Show Summary Details

Page of

PRINTED FROM OXFORD HANDBOOKS ONLINE (www.oxfordhandbooks.com). © Oxford University Press, 2018. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a title in Oxford Handbooks Online for personal use (for details see Privacy Policy and Legal Notice).

date: 12 December 2019

Abstract and Keywords

The Irish national theatre movement developed in the ferment of cultural nationalism at the turn of the century, but it was not at all clear what form a national theatre should take: an Ibsenian model of critical realism, favoured by Edward Martyn, George Moore, and John Eglinton, the mythological poetic drama of Yeats, or the peasant plays that came to be written by Yeats and Gregory. Apart from the playwrights, the company of actors formed around the Fay brothers, nationalist groups such as Maud Gonne’s Inghinidhe na hEireann, and the Abbey’s English patron Annie Horniman all had ideas of their own. This chapter analyses the national and theatrical politics of the period up to the death of Synge in 1909, paying particular attention to the ways in which debates of the period centred around the idea of an Irish theatre in ways that were to influence future generations.

Keywords: Abbey Theatre, W. B. Yeats, Edward Martyn, Augusta Gregory, Maud Gonne, John Eglinton, realism, propaganda

Access to the complete content on Oxford Handbooks Online requires a subscription or purchase. Public users are able to search the site and view the abstracts and keywords for each book and chapter without a subscription.

Please subscribe or login to access full text content.

If you have purchased a print title that contains an access token, please see the token for information about how to register your code.

For questions on access or troubleshooting, please check our FAQs, and if you can''t find the answer there, please contact us.