- The Oxford Handbook of Cultural Sociology
- Dedication
- Acknowledgements
- Contributors
- Introduction: Cultural Sociology Today
- Cultural Sociology as Research Program: Post-Positivism, Meaning, and Causality
- Rationalization Processes inside Cultural Sociology
- Four Ways to Measure Culture: Social Science, Hermeneutics, and the Cultural Turn
- Culture and the Economy
- Culture and Economic Life
- From Moral Sentiments to Civic Engagement: Sociological Analysis as Responsible Spectatorship
- Reinventing the Concept of Civic Culture
- Cultural Sociology and Civil Society in a World of Flows: Recapturing Ambiguity, Hybridity, and the Political
- Mediatized Disasters in the Global Age: On the Ritualization of Catastrophe
- Media, Intellectuals, the Public Sphere, and the Story of Barack Obama in 2008
- Entertainment Media and the Aesthetic Public Sphere
- Rethinking the Relationship of African American Men to the Street
- Ethnicity, Race, Nationhood, Foreignness, and Many Other Things: Prolegomena to a Cultural Sociology of Difference-Based Interactions
- Burning Schools/Building Bridges: Ethnographical Touchdowns in the Civil Sphere
- The Constitution of Religious Political Violence: Institution, Culture, and Power
- Globalization and Religion
- Narrative and Social Movements
- The Politics of Authenticity: Civic Individualism and the Cultural Roots of Gay Normalization
- Rethinking Conflict and Collective Memory: The Case of Nanking
- Cultural Trauma: Emotion and Narration
- Remembrance of Things Past: Cultural Trauma, the “Nanking Massacre,” and Chinese Identity
- Events as Templates of Possibility: An Analytic Typology of Political Facts
- Cultural Pragmatics and the Structure and Flow of Democratic Politics
- Consumption as Cultural Interpretation: Taste, Performativity, and Navigating the Forest of Objects
- The Force of Embodiment: Violence and Altruism in Cultures of Practice
- Music Sociology in a New Key
- Narrating Global Warming
- Broadening Cultural Sociology's Scope: Meaning-Making in Mundane Organizational Life
- Inbetweenness and Ambivalence
- Index
Abstract and Keywords
This article examines how scholarship in the sociology of music has been dominated by an economic framework known as the production/consumption paradigm. It first traces the history of the production/consumption paradigm through its appearance in key texts, showing how it changes as it passes from Theodor W. Adorno and Pierre Bourdieu to the American production of culture perspective. It then presents a thematic overview of the literature and highlights the strengths of established research agendas as well as the blind spots that reveal the need for a more cultural approach. It also considers music as a text, as a resource, as a product, and as performance before proposing an alternative to the production/consumption dichotomy. The article argues that the growing interest in performance presents an opportunity not only to advance the study of music, but also to engage with the core theoretical issues in sociology.
Keywords: sociology of music, production/consumption paradigm, Theodor W. Adorno, Pierre Bourdieu, Music, Performance, sociology
Lisa McCormick is an Assistant Professor in the Department of Sociology at Haverford College. She earned her PhD in Sociology from Yale University. With Ron Eyerman, she is co-editor of Myth, Meaning, and Performance: Toward a Cultural Sociology of the Arts (Paradigm 2006). Her article “Higher, Faster, Louder: Representations of the International Music Competition” won the SAGE Prize for Excellence and Innovation for the best paper published in Cultural Sociology in 2009.
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- The Oxford Handbook of Cultural Sociology
- Dedication
- Acknowledgements
- Contributors
- Introduction: Cultural Sociology Today
- Cultural Sociology as Research Program: Post-Positivism, Meaning, and Causality
- Rationalization Processes inside Cultural Sociology
- Four Ways to Measure Culture: Social Science, Hermeneutics, and the Cultural Turn
- Culture and the Economy
- Culture and Economic Life
- From Moral Sentiments to Civic Engagement: Sociological Analysis as Responsible Spectatorship
- Reinventing the Concept of Civic Culture
- Cultural Sociology and Civil Society in a World of Flows: Recapturing Ambiguity, Hybridity, and the Political
- Mediatized Disasters in the Global Age: On the Ritualization of Catastrophe
- Media, Intellectuals, the Public Sphere, and the Story of Barack Obama in 2008
- Entertainment Media and the Aesthetic Public Sphere
- Rethinking the Relationship of African American Men to the Street
- Ethnicity, Race, Nationhood, Foreignness, and Many Other Things: Prolegomena to a Cultural Sociology of Difference-Based Interactions
- Burning Schools/Building Bridges: Ethnographical Touchdowns in the Civil Sphere
- The Constitution of Religious Political Violence: Institution, Culture, and Power
- Globalization and Religion
- Narrative and Social Movements
- The Politics of Authenticity: Civic Individualism and the Cultural Roots of Gay Normalization
- Rethinking Conflict and Collective Memory: The Case of Nanking
- Cultural Trauma: Emotion and Narration
- Remembrance of Things Past: Cultural Trauma, the “Nanking Massacre,” and Chinese Identity
- Events as Templates of Possibility: An Analytic Typology of Political Facts
- Cultural Pragmatics and the Structure and Flow of Democratic Politics
- Consumption as Cultural Interpretation: Taste, Performativity, and Navigating the Forest of Objects
- The Force of Embodiment: Violence and Altruism in Cultures of Practice
- Music Sociology in a New Key
- Narrating Global Warming
- Broadening Cultural Sociology's Scope: Meaning-Making in Mundane Organizational Life
- Inbetweenness and Ambivalence
- Index