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date: 16 December 2019

Abstract and Keywords

For centuries, literary critics have made a division between poetry and prose, believing that poetry focuses on complex interactions between sound and sense, while prose centers on lucid significance. However, this article states that the major Transcendentalists believed that no clear distinction existed between poetry and prose. Supposing that the poetic is at one with the organic, they concluded that prose, if it approached the powers of nature, could qualify as poetry. Hence, the general aesthetics of American Transcendentalism are not confined to poetry but rather include poetry and prose alike. The aesthetic theories of Transcendentalists were vast and deep. They touched all the natural elements and resources and they were defined beautifully elucidating the aesthetic concepts of the Transcendentalists. Emerson tried to write about the world in his earliest book, Nature. Margaret Fuller and Henry David Thoreau, too, persistently worked to transform creatures into conceits and tropes into flora and fauna.

Keywords: aesthetics, crystalline structure, Niagara, poetry, nature

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