- [UNTITLED]
- Dedication
- Acknowledgments
- List of Contributors
- Introduction: Mapping the Terrain of Religion and the Arts
- Aesthetics and Religion
- Beauty and Divinity
- The Religious Sublime
- Artistic Imagination and Religious Faith
- Creativity at the Intersection of art and Religion
- Musical Ways of Being Religious
- Narrative Ways of Being Religious
- Poetic Ways of Being Religious
- Dramatic Ways of Being Religious
- Dance as a Way of Being Religious
- Architectural Expression and Ways of Being Religious
- Visual Arts as Ways of Being Religious
- Film and Video as Ways of Being Religious
- Judaism and Literature
- Judaism and Music
- Judaism—Visual Art and Architecture
- Christianity and Literature
- Christianity and Music
- Christianity and Visual Art
- Islam and Literature
- Islam and Visual Art
- Islam and Music
- Hinduism—Aesthetics, Drama, and Poetics
- Hinduism—Visual Art and Architecture
- Hinduism and Music
- Buddhism—Image as Icon, Image as Art
- Taoism and the Arts
- Confucianism and the Arts
- Shintō and the Arts
- Artistry and Aesthetics in Modern and Postmodern Worship
- Art, Morality, and Justice
- Doubt and Belief in Literature
- Iconoclasm
- Gender, Imagery, and Religious Imagination
- Art, Material Culture, and Lived Religion
- Sacred and Secular in African American Music
- Index
Abstract and Keywords
Hindu culture possesses unique ways of seeing and shaping religious art; this chapter explores the “keys” that are needed to interpret some of its characteristic art-forms. The visual arts, like music, provide a universal language that unites the immensely diverse regions of South Asia. Hindu art, in particular, reflects the belief in a polycentric and pervasive divinity that becomes visible in the plastic arts. Rooted in medieval traditions of aesthetic philosophy and ritual divinization, Hindu Art pervades the daily experience of the community, encountered in elaborate ornamental styles, spirits and gods crowding the temple-towers, ritually consecrated sacred architecture, statues and posters that are “alive” with the god’s presence, and evocative films that help the viewer to stay receptive to the effect of these intense art forms.
Keywords: aesthetics, visual arts, deities, divine, embodiment, emotion, temples, films, decorative
Jessica Frazier is Lecturer in Religious Studies at the University of Kent, and a Fellow at the Oxford Centre for Hindu Studies. She is the Founding Editor of the Journal of Hindu Studies, and author of The Continuum Companion to Hindu Studies, and Reality, Religion and Passion: Indian and Western Approaches in Hans-Georg Gadamer and Rupa Gosvami.
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- [UNTITLED]
- Dedication
- Acknowledgments
- List of Contributors
- Introduction: Mapping the Terrain of Religion and the Arts
- Aesthetics and Religion
- Beauty and Divinity
- The Religious Sublime
- Artistic Imagination and Religious Faith
- Creativity at the Intersection of art and Religion
- Musical Ways of Being Religious
- Narrative Ways of Being Religious
- Poetic Ways of Being Religious
- Dramatic Ways of Being Religious
- Dance as a Way of Being Religious
- Architectural Expression and Ways of Being Religious
- Visual Arts as Ways of Being Religious
- Film and Video as Ways of Being Religious
- Judaism and Literature
- Judaism and Music
- Judaism—Visual Art and Architecture
- Christianity and Literature
- Christianity and Music
- Christianity and Visual Art
- Islam and Literature
- Islam and Visual Art
- Islam and Music
- Hinduism—Aesthetics, Drama, and Poetics
- Hinduism—Visual Art and Architecture
- Hinduism and Music
- Buddhism—Image as Icon, Image as Art
- Taoism and the Arts
- Confucianism and the Arts
- Shintō and the Arts
- Artistry and Aesthetics in Modern and Postmodern Worship
- Art, Morality, and Justice
- Doubt and Belief in Literature
- Iconoclasm
- Gender, Imagery, and Religious Imagination
- Art, Material Culture, and Lived Religion
- Sacred and Secular in African American Music
- Index