- [UNTITLED]
- Dedication
- Acknowledgments
- List of Contributors
- Introduction: Mapping the Terrain of Religion and the Arts
- Aesthetics and Religion
- Beauty and Divinity
- The Religious Sublime
- Artistic Imagination and Religious Faith
- Creativity at the Intersection of art and Religion
- Musical Ways of Being Religious
- Narrative Ways of Being Religious
- Poetic Ways of Being Religious
- Dramatic Ways of Being Religious
- Dance as a Way of Being Religious
- Architectural Expression and Ways of Being Religious
- Visual Arts as Ways of Being Religious
- Film and Video as Ways of Being Religious
- Judaism and Literature
- Judaism and Music
- Judaism—Visual Art and Architecture
- Christianity and Literature
- Christianity and Music
- Christianity and Visual Art
- Islam and Literature
- Islam and Visual Art
- Islam and Music
- Hinduism—Aesthetics, Drama, and Poetics
- Hinduism—Visual Art and Architecture
- Hinduism and Music
- Buddhism—Image as Icon, Image as Art
- Taoism and the Arts
- Confucianism and the Arts
- Shintō and the Arts
- Artistry and Aesthetics in Modern and Postmodern Worship
- Art, Morality, and Justice
- Doubt and Belief in Literature
- Iconoclasm
- Gender, Imagery, and Religious Imagination
- Art, Material Culture, and Lived Religion
- Sacred and Secular in African American Music
- Index
Abstract and Keywords
This chapter traces the development of religion and film studies, tracking its growth from early biblically-themed shorts prior to World War I to today’s expansive theological/religious conversation with world cinema and Hollywood blockbusters. Historically, such studies centered in Christianity. Theological strategies through the decades have included “avoidance,” “caution,” “dialogue,” “appropriation,” and “divine encounter,” significant scholarship from each being noted. Today, religion and film studies are burgeoning in popularity for several reasons: (1) movies provide people their common myths and stories in our image-based culture; (2) viewer-oriented criticism has uncovered profound experiences of transcendence at the deepest recesses of the human spirit; while (3) theology and film criticism has provided focus on the work of the Holy Spirit outside the believing community and its Scripture. New developments in the field include the discussion of world cinema and other religious traditions, and a stronger focus upon music and image, not just word.
Keywords: film studies and religion, theology and film criticism, world cinema, transcendence, image-based culture, viewer-oriented criticism, Holy Spirit, film music, film images
Robert K. Johnston is Professor of Theology and Culture and Co-Director of the Reel Spirituality Institute at Fuller Theological Seminary, Pasadena, California. A past president of the American Theological Society, his recent books include Reframing Theology and Film (edited, 2007), Reel Spirituality: Theology and Film in Dialogue (2006, 2000), Useless Beauty: Ecclesiastes through the Lens of Contemporary Film (2004), and Finding God in the Movies: 33 Films of Reel Faith (co-written with Catherine Barsotti, 2004). He is a general editor of the "Understanding the Bible Commentary" series, Old Testament, a co-editor of both the “Engaging Culture” series and the Cultural Exegesis series, and a co-editor of the "Religion and Film" series. The author or editor of fourteen books, Johnston has written thirty book chapters and numerous articles, as well as been a regular movie reviewer (see reelspirituality.com). He is at present working on a book on general revelation.
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- [UNTITLED]
- Dedication
- Acknowledgments
- List of Contributors
- Introduction: Mapping the Terrain of Religion and the Arts
- Aesthetics and Religion
- Beauty and Divinity
- The Religious Sublime
- Artistic Imagination and Religious Faith
- Creativity at the Intersection of art and Religion
- Musical Ways of Being Religious
- Narrative Ways of Being Religious
- Poetic Ways of Being Religious
- Dramatic Ways of Being Religious
- Dance as a Way of Being Religious
- Architectural Expression and Ways of Being Religious
- Visual Arts as Ways of Being Religious
- Film and Video as Ways of Being Religious
- Judaism and Literature
- Judaism and Music
- Judaism—Visual Art and Architecture
- Christianity and Literature
- Christianity and Music
- Christianity and Visual Art
- Islam and Literature
- Islam and Visual Art
- Islam and Music
- Hinduism—Aesthetics, Drama, and Poetics
- Hinduism—Visual Art and Architecture
- Hinduism and Music
- Buddhism—Image as Icon, Image as Art
- Taoism and the Arts
- Confucianism and the Arts
- Shintō and the Arts
- Artistry and Aesthetics in Modern and Postmodern Worship
- Art, Morality, and Justice
- Doubt and Belief in Literature
- Iconoclasm
- Gender, Imagery, and Religious Imagination
- Art, Material Culture, and Lived Religion
- Sacred and Secular in African American Music
- Index