Abstract and Keywords
When telling stories through rock art, the artist formed an intimate relationship with the audience through the act of conveying such stories. Ethnographic evidence in many parts of the world suggests that the artist is merely a device through which stories are transmitted from rock surface to audience, whereby the artist becomes an intermediary within the act of performance through the medium of the brush, chisel, and finger, thus creating a theatre of performance. During this performance, the artist used many devices to either conceal or promote the narrative; one of the props used within this performance would have been the panel on which the art was performed, placing figures into spatial context and observing the rules of grammar. This chapter explores how early artists selected and used various rock surfaces, utilizing the rock face’s colour, texture, placement, and natural topography to mimic the surrounding landscape.
Access to the complete content on Oxford Handbooks Online requires a subscription or purchase. Public users are able to search the site and view the abstracts and keywords for each book and chapter without a subscription.
If you have purchased a print title that contains an access token, please see the token for information about how to register your code.