Abstract and Keywords
With the general goal of describing “how music understands itself socially and politically,” Sabine Sanio starts out by focusing on the musical neo-avant-garde, and especially on John Cage, and continues by discussing aspects of the musical idea of space. Although her chapter draws on several threads reaching back to the beginning of the twentieth century, the central topics of the chapter are current issues dealing with musical explorations of the sound itself, modern data technologies, and public spaces. Using a number of examples, Sanio discusses how the relationship between composers and audiences is both socially and aesthetically challenged by redefinitions of the concept of space and character of the musical live event—or live-like event.
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