- Copyright Page
- About the Editors
- Contributors
- About the Companion Website
- Introduction
- Pitch, Tone, and Note
- Interval
- Mode
- Scale
- Tonic
- Timbre
- Texture
- Repetition
- Meter
- Temporalities
- Groove
- Phrase
- Form
- Expressive Timing
- Melody
- Consonance and Dissonance
- Tonal Harmony
- Key and Modulation
- Cadence
- Sequence
- Polyphony
- Musical Grammar
- Analytical Relationships
- Images, Visualization, and Representation
- What Is Music, Anyway?
- Beneath Improvisation
- Index
Abstract and Keywords
This article proposes a general definition of tonic and explores its ramifications across repertories and intellectual traditions (cognitive, historical, ethnomusicological, music analytical, and phenomenological). The proposed definition admits of both wide and narrow applications: from broad conceptions that detect tonics in a wide range of world musics to a more narrow definition that limits the term (and its theoretical entailments) to bourgeois musical cultures in the West. These ideas are illustrated through discussions of diverse musical examples, from the “common practice” (Bach, Schubert) to the postwar avant-garde (Lutosławski), French house (Daft Punk), and rust-belt hard rock (Akron-based band Dia Pason).
Keywords: tonic, tonality, music cognition, ethnography, Lutosławski, Bach, Schubert, Daft Punk, Dia Pason
Steven Rings teaches music theory at the University of Chicago. His research ranges from transformational theory to studies of the popular singing voice. His book Tonality and Transformation received the Emerging Scholar Award from the Society for Music Theory, and his article "A Foreign Sound to Your Ear: Bob Dylan Performs 'It's Alright, Ma (I'm Only Bleeding),' 1964-2009" received the Outstanding Publication Award from the SMT's Popular Music Interest Group. He is Series Editor of Oxford Studies in Music Theory.
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- Copyright Page
- About the Editors
- Contributors
- About the Companion Website
- Introduction
- Pitch, Tone, and Note
- Interval
- Mode
- Scale
- Tonic
- Timbre
- Texture
- Repetition
- Meter
- Temporalities
- Groove
- Phrase
- Form
- Expressive Timing
- Melody
- Consonance and Dissonance
- Tonal Harmony
- Key and Modulation
- Cadence
- Sequence
- Polyphony
- Musical Grammar
- Analytical Relationships
- Images, Visualization, and Representation
- What Is Music, Anyway?
- Beneath Improvisation
- Index