Show Summary Details

Page of

PRINTED FROM OXFORD HANDBOOKS ONLINE ( © Oxford University Press, 2018. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a title in Oxford Handbooks Online for personal use (for details see Privacy Policy and Legal Notice).

date: 24 September 2020

Abstract and Keywords

What is time? This question has captivated philosophy again and again. The present chapter investigates how far algorithms involve temporality in a specific form, and why algorithmic music is a distinctive way of understanding time. Its orienting undercurrent is the idea that temporality, by its very nature, gives rise to conflictual perspectives that resist the attempt to be rendered in terms of a unified presence. These perspectives are coordinates of a tension field in which the algorithmic is necessarily embedded and invested, and which unfolds in algorithmic music. Drawing from a selection of examples and sources, the chapter leads through a series of such contradictions and touches upon a few interesting theories of time that have sprung from philosophy, music, and computer science, so as to actualize their mutual import.

Keywords: algorithmic music, philosophy of time, epistemic media, sonification, experimental method, composition, algorithmic complementarity, incommensurability, algorithmic acoustics, medienwissenschaften

Access to the complete content on Oxford Handbooks Online requires a subscription or purchase. Public users are able to search the site and view the abstracts and keywords for each book and chapter without a subscription.

Please subscribe or login to access full text content.

If you have purchased a print title that contains an access token, please see the token for information about how to register your code.

For questions on access or troubleshooting, please check our FAQs, and if you can''t find the answer there, please contact us.