- The Oxford Handbook of Algorithmic Music
- Contributors
- Musical Algorithms as Tools, Languages, and Partners: A Perspective
- Algorithmic Music and the Philosophy of Time
- Action and Perception: Embodying Algorithms and the Extended Mind
- Origins of Algorithmic Thinking in Music
- Algorithmic Thinking and Central Javanese Gamelan
- Thoughts on Composing with Algorithms
- Mexico and India: Diversifying and Expanding the Live Coding Community
- Deautomatization of Breakfast Perceptions
- Why Do We Want Our Computers to Improvise?
- Compositions Created with Constraint Programming
- Linking Sonic Aesthetics with Mathematical Theories
- The Machine Learning Algorithm as Creative Musical Tool
- Biologically Inspired and Agent-Based Algorithms for Music
- Performing with Patterns of Time
- Computational Creativity and Live Algorithms
- Tensions and Techniques in Live Coding Performance
- When Algorithms Meet Machines
- Notes on Pattern Synthesis: 1983 to 2013
- Performing Algorithms
- Network Music and the Algorithmic Ensemble
- Sonification ≠ Music
- Colour is the Keyboard: Case Studies in Transcoding Visual to Sonic
- Designing Interfaces for Musical Algorithms
- Ecooperatic Music Game Theory
- Algorithmic Spatialization
- Form, Chaos, and the Nuance of Beauty
- Beyond Me
- Perspective on Practice
- Thoughts on an Algorithmic Practice
- The Audience Reception of Algorithmic Music
- Technology, Creativity, and the Social in Algorithmic Music
- Algorithms and Computation in Music Education
- (Micro)Politics of Algorithmic Music: Towards a Tactical Media Archaeology
- Algorithmic Music for Mass Consumption and Universal Production
- Algorithmic Trajectories
- Index
Abstract and Keywords
This chapter examines a range of approaches to algorithmic music making inspired by biological systems, and considers topics at the intersection of contemporary music, computer science, and computational creativity. A summary of core precursor movements both within and beyond musical practice (A Life, cybernetics, systems art, etc.) sets the scene, before core models and algorithms are introduced and illustrated. These include evolutionary algorithms, agent-based modelling and self-organizing systems, adaptive behaviour and interactive performance systems, and ecosystemic approaches to composition and computational creative discovery. The chapter closes by reviewing themes for future work in this area: autonomy and agency, and the poetics of biologically inspired algorithms.
Keywords: biologically inspired systems, computational creativity, artificial life, evolutionary music, agent-based modelling, emergence, agency, generative music, interactive performance
Alice Eldridge, Research Fellow in Digital Humanities/Digital Performance, Department of Music, University of Sussex
Oliver Bown, Senior Lecturer, Arts and Design, University of New South Wales, Sydney
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- The Oxford Handbook of Algorithmic Music
- Contributors
- Musical Algorithms as Tools, Languages, and Partners: A Perspective
- Algorithmic Music and the Philosophy of Time
- Action and Perception: Embodying Algorithms and the Extended Mind
- Origins of Algorithmic Thinking in Music
- Algorithmic Thinking and Central Javanese Gamelan
- Thoughts on Composing with Algorithms
- Mexico and India: Diversifying and Expanding the Live Coding Community
- Deautomatization of Breakfast Perceptions
- Why Do We Want Our Computers to Improvise?
- Compositions Created with Constraint Programming
- Linking Sonic Aesthetics with Mathematical Theories
- The Machine Learning Algorithm as Creative Musical Tool
- Biologically Inspired and Agent-Based Algorithms for Music
- Performing with Patterns of Time
- Computational Creativity and Live Algorithms
- Tensions and Techniques in Live Coding Performance
- When Algorithms Meet Machines
- Notes on Pattern Synthesis: 1983 to 2013
- Performing Algorithms
- Network Music and the Algorithmic Ensemble
- Sonification ≠ Music
- Colour is the Keyboard: Case Studies in Transcoding Visual to Sonic
- Designing Interfaces for Musical Algorithms
- Ecooperatic Music Game Theory
- Algorithmic Spatialization
- Form, Chaos, and the Nuance of Beauty
- Beyond Me
- Perspective on Practice
- Thoughts on an Algorithmic Practice
- The Audience Reception of Algorithmic Music
- Technology, Creativity, and the Social in Algorithmic Music
- Algorithms and Computation in Music Education
- (Micro)Politics of Algorithmic Music: Towards a Tactical Media Archaeology
- Algorithmic Music for Mass Consumption and Universal Production
- Algorithmic Trajectories
- Index