Show Summary Details

Page of

PRINTED FROM OXFORD HANDBOOKS ONLINE ( © Oxford University Press, 2018. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a title in Oxford Handbooks Online for personal use (for details see Privacy Policy and Legal Notice).

date: 04 December 2020

Abstract and Keywords

This chapter analyzes in depth the operas performed in the late nineteenth century in Rouen. The repertory that was produced from 1882 in the new Théâtre des Arts illustrates how a provincial theater would differ significantly, in terms of the genres presented, from the Opéra or the Opéra-Comique in Paris. Like all regional theaters, the one in Rouen adapted itself to the constraints of a national system shaped by Parisian production, but it was also expected to defer to local tastes and performing conditions. The public thus saw a much greater variety of genres than was presented in the capital city. The new works produced there were often objects of local pride; for example, since Pierre Corneille had been born locally, the theater produced Jules Massenet’s setting of Le Cid. This chapter is paired with Patrick Taïeb and Sabine Teulon Lardic’s “The evolution of French opera repertories in provincial theaters: Three epochs, 1770–1900.”

Keywords: Repertory, system of production, regional theaters, cahier des charges, tragédie lyrique, opéra comique, grand opéra, operetta, Normandy, Théâtre des Arts

Access to the complete content on Oxford Handbooks Online requires a subscription or purchase. Public users are able to search the site and view the abstracts and keywords for each book and chapter without a subscription.

Please subscribe or login to access full text content.

If you have purchased a print title that contains an access token, please see the token for information about how to register your code.

For questions on access or troubleshooting, please check our FAQs, and if you can''t find the answer there, please contact us.