- The Oxford Handbook of Music Education
- Acknowledgments
- Contributors
- Oxford Handbook of Music Education Introduction to Volume 2
- Commentary: Special Abilities, Special Needs
- Mapping Musical Development in Learners with the Most Complex Needs: The Sounds of Intent Project
- Exceptional Musical Abilities: Musical Prodigies
- A Fresh Look at Music Therapy in Special Education
- Inclusive Music Classrooms and Programs
- Preparing for the Future: Music Students with Special Education Needs in School and Community Life
- Commentary: Music in the Community
- The Community within Community Music
- Community Music and Social Capital
- Community Music Therapy
- Community Music and Social Justice: Reclaiming Love
- Sonic Hospitality: Migration, Community, and Music
- At-Risk Youth: Music-Making as a Means to Promote Positive Relationships
- Fast Forward: Emerging Trends in Community Music
- Commentary: Adult Learning in a Lifespan Context
- Elders and Music: Empowering Learning, Valuing Life Experience, and Considering the Needs of Aging Adult Learners
- Adult Music Learning in Formal, Nonformal, and Informal Contexts
- Music Teacher Education: Crossing Generational Borders
- The Role of Higher Education in Fostering Musically Engaged Adults
- Lifelong Learning for Professional Musicians
- An International Perspective on Music Education for Adults
- Commentary: Musical Creativity as Practice
- Empathy and Creativity in Group Musical Practices: Towards a Concept of Empathic Creativity
- Intercultural Tensions and Creativity in Music
- Communal Creativity as Sociomusical Practice
- Assessing Creativity in Music: International Perspectives and Practices
- Creativity in Partnership Practices
- Commentary: Music Learning and Teaching through Technology
- The Misunderstanding of Music-Technology-Education: A Meta Perspective
- Technology and the Educator
- The Student Prince: Music-Making with Technology
- Driving Forward Technology's Imprint on Music Education
- Commentary: Media, Music, and Education
- Music Education in the Postperformance World
- Let's Play! Learning Music through Video Games and Virtual Worlds
- Collaborative Digital Media Performance with Generative Music Systems
- Music Learning and New Media in Virtual and Online Environments
- Commentary Critical Reflections and Future Action
- Politics, Policy, and Music Education
- Instrumental Teachers and Their Students: Who's in the Driver's Seat?
- University Professors and the Entrepreneurial Spirit
- Pride and Professionalism in Music Education
- Pondering the Grand Experiment in Public Music Education
- Music Education and Some of Its Subfields: Thoughts about Future Priorities
- Music Education: An Unanswered Question
- Improving Primary Teaching: Minding the Gap
- International Music Education: Setting up a Global Information System
- The Responsibility of Research in Defining the Profession of Music Education
- Constructing Communities of Scholarship in Music Education
- Internationalizing Music Education
- Emotion in Music Education
- Music Education from a Slightly Outside Perspective
- Research Issues in Personal Music Identification
- Preparation, Perseverance, and Performance in Music: Views from a Program of Educational Psychology Research
- Music Therapy in Schools: An Expansion of Traditional Practice
- Embracing New Digital Technologies: Now and into the Future
- Challenges for Research and Practices of Music Education
- All Theoried Up and Nowhere to Go
- Make Research, Not War: Methodologies and Music Education Research
- The Preparation of Music Teacher Educators: A Critical Link
- Music and the Arts: As Ubiquitous and Fundamental as the Air We Breathe
- There is Nothing Complex about a Correlation Coefficient
- Dewey's Bastards: Music, Meaning, and Politics
- Index
Abstract and Keywords
This article focuses on the Sounds of Intent project, aimed mapping the musical development of young people with the most complex needs. From 2002, the research team worked with practitioners who were active in the field—music therapists, teachers, and others—to develop accurate descriptions and shared interpretations of the different forms and levels of musical engagement they observed among children and young people with complex needs. The theoretical framework developed by the team is discussed.
Keywords: musical development, music programs, children with disabilities, musical engagement, learning difficulties
Adam Ockelford studied at the Royal Academy of Music in London, before embarking on a career that has embraced performing, composing, teaching, researching, writing, consultancy, and management. His Ph.D. drew together thinking from music theory and music psychology, in investigating how music intuitively makes sense to us all. Today, his research interests are in music psychology, education, theory and aesthetics--particularly special educational needs and the development of exceptional abilities; learning, memory and creativity; the cognition of musical structure and the construction of musical meaning. He has over 100 publications to his name, including 20 books. He is Secretary of the Society for Education, Music and Psychology Research ('SEMPRE'), Chair of Soundabout, an Oxfordshire-based charity in the UK that supports music provision for children and young people with complex needs, and founder of The AMBER Trust, a charity that supports visually impaired children in their pursuit of music.
Graham F. Welch holds the Institute of Education, University of London Established Chair of Music Education. He is elected chair of the internationally based Society for Education, Music and Psychology Research (SEMPRE), president of the International Society for Music Education (ISME) and past co-chair of the Research Commission of ISME. Current Visiting Professorships include the Universities of Queensland (Austra-lia), Limerick (Eire) and Roehampton (UK). He is also a member of the UK Arts and Humanities Research Council's (AHRC) Review College for music and has been a specialist consultant for Government departments and agencies in the UK, Italy, Sweden, USA, Ukraine, UAE, South Africa and Argentina. Publications number over two hundred and sixty and embrace musical development and music education, teacher education, the psychology of music, singing and voice science, and music in special education and disability. Publications are in English, Spanish, Portuguese, Italian, Swedish, Greek, Japanese and Chinese.
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- The Oxford Handbook of Music Education
- Acknowledgments
- Contributors
- Oxford Handbook of Music Education Introduction to Volume 2
- Commentary: Special Abilities, Special Needs
- Mapping Musical Development in Learners with the Most Complex Needs: The Sounds of Intent Project
- Exceptional Musical Abilities: Musical Prodigies
- A Fresh Look at Music Therapy in Special Education
- Inclusive Music Classrooms and Programs
- Preparing for the Future: Music Students with Special Education Needs in School and Community Life
- Commentary: Music in the Community
- The Community within Community Music
- Community Music and Social Capital
- Community Music Therapy
- Community Music and Social Justice: Reclaiming Love
- Sonic Hospitality: Migration, Community, and Music
- At-Risk Youth: Music-Making as a Means to Promote Positive Relationships
- Fast Forward: Emerging Trends in Community Music
- Commentary: Adult Learning in a Lifespan Context
- Elders and Music: Empowering Learning, Valuing Life Experience, and Considering the Needs of Aging Adult Learners
- Adult Music Learning in Formal, Nonformal, and Informal Contexts
- Music Teacher Education: Crossing Generational Borders
- The Role of Higher Education in Fostering Musically Engaged Adults
- Lifelong Learning for Professional Musicians
- An International Perspective on Music Education for Adults
- Commentary: Musical Creativity as Practice
- Empathy and Creativity in Group Musical Practices: Towards a Concept of Empathic Creativity
- Intercultural Tensions and Creativity in Music
- Communal Creativity as Sociomusical Practice
- Assessing Creativity in Music: International Perspectives and Practices
- Creativity in Partnership Practices
- Commentary: Music Learning and Teaching through Technology
- The Misunderstanding of Music-Technology-Education: A Meta Perspective
- Technology and the Educator
- The Student Prince: Music-Making with Technology
- Driving Forward Technology's Imprint on Music Education
- Commentary: Media, Music, and Education
- Music Education in the Postperformance World
- Let's Play! Learning Music through Video Games and Virtual Worlds
- Collaborative Digital Media Performance with Generative Music Systems
- Music Learning and New Media in Virtual and Online Environments
- Commentary Critical Reflections and Future Action
- Politics, Policy, and Music Education
- Instrumental Teachers and Their Students: Who's in the Driver's Seat?
- University Professors and the Entrepreneurial Spirit
- Pride and Professionalism in Music Education
- Pondering the Grand Experiment in Public Music Education
- Music Education and Some of Its Subfields: Thoughts about Future Priorities
- Music Education: An Unanswered Question
- Improving Primary Teaching: Minding the Gap
- International Music Education: Setting up a Global Information System
- The Responsibility of Research in Defining the Profession of Music Education
- Constructing Communities of Scholarship in Music Education
- Internationalizing Music Education
- Emotion in Music Education
- Music Education from a Slightly Outside Perspective
- Research Issues in Personal Music Identification
- Preparation, Perseverance, and Performance in Music: Views from a Program of Educational Psychology Research
- Music Therapy in Schools: An Expansion of Traditional Practice
- Embracing New Digital Technologies: Now and into the Future
- Challenges for Research and Practices of Music Education
- All Theoried Up and Nowhere to Go
- Make Research, Not War: Methodologies and Music Education Research
- The Preparation of Music Teacher Educators: A Critical Link
- Music and the Arts: As Ubiquitous and Fundamental as the Air We Breathe
- There is Nothing Complex about a Correlation Coefficient
- Dewey's Bastards: Music, Meaning, and Politics
- Index