Show Summary Details

Page of

PRINTED FROM OXFORD HANDBOOKS ONLINE (www.oxfordhandbooks.com). © Oxford University Press, 2018. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a title in Oxford Handbooks Online for personal use (for details see Privacy Policy and Legal Notice).

date: 19 November 2018

Abstract and Keywords

Although musicians and labels have been slow to jump into application production for mobile devices, major artists such as Björk and Lady Gaga have recently released expensive and expansive app-based virtual albums, suggesting apps are becoming an increasingly viable format for packaging and delivering popular music. This chapter analyzes app-based albums like Bjork’s Biophilia to theorize on app music and its impact on production and consumption of music commodities. Through historical analysis of enhanced CDs and interactive CD-ROMs as well as close reading of a range of virtual albums, this chapter explores the possibilities and problems apps present as they mediate our aesthetic and affective relationships with cultural goods like music. Although their artistic potential is exciting, app-based albums are nonetheless limited by the demands of the platforms and software that constitute them.

Keywords: apps, app music, virtual albums, commodity, format, enhanced CDs, interactivity, CD-ROMs, Bjork, cultural goods

Access to the complete content on Oxford Handbooks Online requires a subscription or purchase. Public users are able to search the site and view the abstracts and keywords for each book and chapter without a subscription.

Please subscribe or login to access full text content.

If you have purchased a print title that contains an access token, please see the token for information about how to register your code.

For questions on access or troubleshooting, please check our FAQs, and if you can''t find the answer there, please contact us.