Abstract and Keywords
This article addresses three related, though not identical, academic fields of study that crystallized only in the twentieth century. Beforehand, it had generally been assumed, whether for political, social, or religious reasons, that Jews eschewed art and architecture, either because they were visually uncreative, preferring the audile to the visual, or owing to the restrictions imposed on them by the Second Commandment. However, there emerged in the Post-Emancipation era an awareness that, in the course of their history, particularly in the later Middle Ages and modern times, Jews had produced an impressive array of artistic, mostly ceremonial, objects worthy of appreciation and display. This realization that a uniquely Jewish art and architecture existed in the past crystallized in the late nineteenth and twentieth centuries, finding expression, inter alia, in the establishment of Jewish museums throughout Europe, America, and Israel.
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