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date: 10 December 2018

(p. xi) List of Illustrations

(p. xi) List of Illustrations

Chapter 9 (Kinney)

  1. 9.1. The Shepheardes Calender (1579). Title page.

    [Bodleian Library: 4 F 2 (11) Art. BS.] 161

  2. 9.2. The Shepheardes Calender (1579). Aprill.

    [Bodleian Library: 4 F 2 (11) Art. BS.] 164

Chapter 24 (Borris)

  1. 24.1. Be Moderate, Not Credulous, from Andrea Alciato, Emblemata (Lyons: Guillaume Rouille, 1551), 22.

    Courtesy of the Thomas Fisher Rare Books Library, University of Toronto. 439

  2. 24.2. Author's Impresa, With Body on Earth and Mind in the Heavens, from Gabriele Simeoni, Le imprese heroiche et morali, title page; in Paolo Giovio, Dialogo dell'imprese militari et amorose (Lyons: Guillaume Rouille, 1574).

    Courtesy of the Thomas Fisher Rare Books Library, University of Toronto. 441

  3. 24.3. Title page, from Piero Valeriano, Hieroglyphica (Lyons: Thomas Soubron, 1595).

    Courtesy of the Centre for Reformation and Renaissance Studies, Toronto. 443

Chapter 37 (Preston)

  1. 37.1. Epigram 5 (anonymous woodcut), (Jan Van der Noot, A Theatre for Voluptuous Worldlings (1569)). Reproduced by kind permission of the Syndics of Cambridge University Library. 692

  2. (p. xii) 37.2. August eclogue (anonymous woodcut), (Edmund Spenser, The Shepheardes Calender (1579)). Reproduced by kind permission of the Syndics of Cambridge University Library. 693

  3. 37.3. November eclogue (anonymous woodcut), (Edmund Spenser, The Shepheardes Calender (1579)). Reproduced by kind permission of the Syndics of Cambridge University Library. 694

  4. 37.4. William Kent (engraving), the old woman's house (Edmund Spenser, The Faerie Queene (1751)). Reproduced by kind permission of the Syndics of Cambridge University Library. 696

  5. 37.5. William Kent (engraving), the House of Pride (Edmund Spenser, The Faerie Queene (1751)). Reproduced by kind permission of the Syndics of Cambridge University Library. 697

  6. 37.6. William Kent (engraving), Britomart and Merlin (Edmund Spenser, The Faerie Queene (1751)). Reproduced by kind permission of the Syndics of Cambridge University Library. 698

  7. 37.7. William Kent (engraving), Arthur and Merlin (Edmund Spenser, The Faerie Queene (1751)). Reproduced by kind permission of the Syndics of Cambridge University Library. 699

  8. 37.8. Louis Fairfax‐Muckley (woodcut), Cambel and the Mond brothers (Edmund Spenser, The Faerie Queene (1897)). Reproduced by kind permission of the Syndics of Cambridge University Library. 700

  9. 37.9. Louis Fairfax‐Muckley (woodcut), Geryoneo (Edmund Spenser, The Faerie Queene (1897)). Reproduced by kind permission of the Syndics of Cambridge University Library. 701

  10. 37.10. Arthur J. Gaskin (woodcut), Januarie eclogue (Edmund Spenser, The Shepheardes Calender (1896)). Reproduced by kind permission of the Syndics of Cambridge University Library. 702

  11. 37.11. Walter Crane (woodcut), Januarie eclogue (Edmund Spenser, The Shepheardes Calender (1898)). Reproduced by kind permission of the Syndics of Cambridge University Library. 703

  12. 37.12. Walter Crane (woodcut), August eclogue (Edmund Spenser, The Shepheardes Calender (1898)). Reproduced by kind permission of the Syndics of Cambridge University Library. 705

  13. 37.13. Walter Crane (woodcut), Britomart and the tapestries of Busirane (Edmund Spenser, The Faerie Queene (1894–6)). Reproduced by kind permission of the Syndics of Cambridge University Library. 706

  14. 37.14. Walter Crane (woodcut), Busirane (Edmund Spenser, The Faerie Queene (1894–6)). Reproduced by kind permission of the Syndics of Cambridge University Library. 707

  15. 37.15. H. J. Ford (watercolour), the seven‐headed serpent (Andrew Lang, The Red Romance Book (1905)). Reproduced by kind permission of the Syndics of Cambridge University Library. 708

  16. (p. xiii) 37.16. George Stubbs, Isabella Saltonstall as Una (1782), reproduced by kind permission of The Fitzwilliam Museum, Cambridge. 709

  17. 37.17. Henry Fuseli, Prince Arthur's Dream of the Fairy Queen (c.1785–8), reproduced by permission of the Kunstmuseum, Basel. 710

  18. 37.18. John Singleton Copley, The Red Cross Knight with Fidelia and Speranza (1793), reproduced by kind permission of the National Gallery, Washington, D.C. 711

  19. 37.19. William Blake, The Characters of The Faerie Queene (c.1825), reproduced by kind permission of the Syndics of Cambridge University Library. 712

  20. 37.20. F. R. Pickersgill, Amoret, Aemylia, and Prince Arthur in the Cottage of Sclaunder (1845), reproduced by kind permission of Tate Britain. 713