- [UNTITLED]
- In memory of Jenny McCabe (1928–2008) ‘But yet the end is not’
- Preface
- List of Illustrations
- List of Abbreviations
- List of Contributors
- Introduction
- Spenser's Life
- Spenser and Religion
- Spenser and Politics
- Spenser's Secretarial Career
- Spenser, Plantation, and Government Policy
- Spenser's Patrons and Publishers
- Spenser's Biographers
- <i>A Theatre for Worldlings</i> (1569)
- <i>The Shepheardes Calender</i> (1579)
- <i>Letters</i> (1580)
- <i>The Faerie Queene</i> (1590)
- <i>Complaints</i> and <i>Daphnaïda</i> (1591)
- <i>Colin Clouts Come Home Againe</i>, <i>Astrophel</i>, and <i>The Doleful Lay of Clorinda</i> (1595)
- <i>Amoretti</i> and <i>Epithalamion</i> (1595)
- <i>The Faerie Queene</i> (1596)
- <i>Fowre Hymnes</i> and <i>Prothalamion</i> (1596)
- <i>A Vewe of the Presente State of Ireland</i> (1596, 1633)
- <i>Two Cantos of Mutabilitie</i> (1609)
- ‘Lost Works’, Suppositious Pieces, and Continuations
- Spenser's Language(s): Linguistic Theory and Poetic Diction
- Spenser's Metrics
- Spenser's Genres
- Spenser and Rhetoric
- Allegory, Emblem, and Symbol
- Authorial Self‐Presentation
- Spenser and the Bible
- Spenser and Classical Literature
- Spenser and Classical Philosophy
- Spenser and History
- Spenser, Chaucer, and Medieval Romance
- Spenser and Neo‐Latin Literature
- Spenser and Sixteenth‐Century Poetics
- Spenser and Italian Literature
- Spenser and French Literature
- Spenser's Textual History
- Spenser's Literary Influence
- Spenser and the Visual Arts
- The Formalist Tradition
- The Historicist Tradition in Spenser Studies
- Spenser and Gender Studies
- Psychoanalytical Criticism
- Postcolonial Spenser
- Index
Abstract and Keywords
Attacks on English poetry as unlearned and immoral increased in the 1570s. Most worrying may have been George Gascoigne's experience. Gascoigne's collection of verse, A Hundreth Sundrie Flowres (1573), seems to have provoked criticism and even censorship. When he reissued the poems in a reformed edition as The Posies in 1575, he prefaced it with an apologetic epistle, ‘To the reverende Divines’, members of the Court of High Commission who had the power of censorship and who had, apparently ‘thought requysite that all ydle Bookes or wanton Pamphlettes shoulde bee forbidden’. Despite Gascoigne's apology, copies of The Posies were recalled in 1576. This article suggests that Gascoigne and the image of Philomele figure significantly in Spenser's imagination throughout his career.
Keywords: English poetry, George Gascoigne, censorship, Philomele, imagination
Elizabeth Heale was a Senior Lecturer in the Department of English at the University of Reading and is now an Honorary Research Fellow. She is the author of The Faerie Queene: A Reader's Guide (2nd edition, 1999), Wyatt, Surrey and Early Tudor Poetry (1998), and Autobiography and Authorship in Renaissance Verse: Chronicles of the Self (2003).
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- [UNTITLED]
- In memory of Jenny McCabe (1928–2008) ‘But yet the end is not’
- Preface
- List of Illustrations
- List of Abbreviations
- List of Contributors
- Introduction
- Spenser's Life
- Spenser and Religion
- Spenser and Politics
- Spenser's Secretarial Career
- Spenser, Plantation, and Government Policy
- Spenser's Patrons and Publishers
- Spenser's Biographers
- <i>A Theatre for Worldlings</i> (1569)
- <i>The Shepheardes Calender</i> (1579)
- <i>Letters</i> (1580)
- <i>The Faerie Queene</i> (1590)
- <i>Complaints</i> and <i>Daphnaïda</i> (1591)
- <i>Colin Clouts Come Home Againe</i>, <i>Astrophel</i>, and <i>The Doleful Lay of Clorinda</i> (1595)
- <i>Amoretti</i> and <i>Epithalamion</i> (1595)
- <i>The Faerie Queene</i> (1596)
- <i>Fowre Hymnes</i> and <i>Prothalamion</i> (1596)
- <i>A Vewe of the Presente State of Ireland</i> (1596, 1633)
- <i>Two Cantos of Mutabilitie</i> (1609)
- ‘Lost Works’, Suppositious Pieces, and Continuations
- Spenser's Language(s): Linguistic Theory and Poetic Diction
- Spenser's Metrics
- Spenser's Genres
- Spenser and Rhetoric
- Allegory, Emblem, and Symbol
- Authorial Self‐Presentation
- Spenser and the Bible
- Spenser and Classical Literature
- Spenser and Classical Philosophy
- Spenser and History
- Spenser, Chaucer, and Medieval Romance
- Spenser and Neo‐Latin Literature
- Spenser and Sixteenth‐Century Poetics
- Spenser and Italian Literature
- Spenser and French Literature
- Spenser's Textual History
- Spenser's Literary Influence
- Spenser and the Visual Arts
- The Formalist Tradition
- The Historicist Tradition in Spenser Studies
- Spenser and Gender Studies
- Psychoanalytical Criticism
- Postcolonial Spenser
- Index