Abstract and Keywords
The history of the black diaspora is full with examples of the ways music has enabled various black cultural communities to cope with racial oppression. This article explains how sound-producing technology, in the form of vinyl records and turntables, functions within communities that endow these devices with cultural value. Hip-hop is used to center the discussion on ways in which turntables and vinyl records are attributed a racial authenticity not seen in other music communities where DJs exist. It begins with the premise that the hip-hop culture, similar to other music cultures, is a deeply technological way of life. Furthermore, it explores hip-hop and the emergence of digital vinyl systems and discusses hip-hop and race in the digital age. Finally, it suggests that the intersections of hip-hop, technology, and sound could help understand the ways the materiality of sound is embedded and circulated within society.
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