Show Summary Details

Page of

PRINTED FROM OXFORD HANDBOOKS ONLINE (www.oxfordhandbooks.com). © Oxford University Press, 2018. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a title in Oxford Handbooks Online for personal use (for details see Privacy Policy and Legal Notice).

date: 14 November 2018

Abstract and Keywords

Today, the world is surrounded by electronic sounds of all kinds, which were not always so omnipresent or accepted. This article offers a history of the domestication of sounds that were initially associated with science fiction but fairly quickly found their way into television commercials. It uses the domestication concept in three ways. The first deals with the adoption of sounds associated with science fiction to use in selling products in everyday life. The second explores the complex set of processes behind the scenes by which electronic sounds were harnessed for use in selling. Under this, the article addresses the question of how electronic musicians convinced potential clients in and out of the advertising industry that such sounds could be used in advertising. Finally, the article refers the concept of domestication to the ways in which commodities were thought to become friendly products for consumers and were brought to life by electronic sounds.

Keywords: electronic sounds, domestication, television commercials, science fiction, musicians

Access to the complete content on Oxford Handbooks Online requires a subscription or purchase. Public users are able to search the site and view the abstracts and keywords for each book and chapter without a subscription.

Please subscribe or login to access full text content.

If you have purchased a print title that contains an access token, please see the token for information about how to register your code.

For questions on access or troubleshooting, please check our FAQs, and if you can''t find the answer there, please contact us.