Abstract and Keywords
This article focuses on the relationship between naturalism and poetry. The main intellectual trends of twentieth-century poetry are inimical to a naturalist verse tradition. On the other hand, nothing in the generally assumed definition disqualifies poetry from the genre. Regarding naturalist poetry in terms of genre, a rather clear narrative comes into view: naturalist poets began by critiquing convention, as naturalist novelists did, and went on to adopt modernist techniques to reflect the changing notion of what constitutes reality. Common to all is an enduring strain exploring the severe restraints on human possibility. The poetry of Stephen Crane, Carl Sandburg, Edgar Lee Masters, Theodore Dreiser, Robinson Jeffers, Robert Lowell, Sylvia Plath, and Sharon Olds are analyzed.
Access to the complete content on Oxford Handbooks Online requires a subscription or purchase. Public users are able to search the site and view the abstracts and keywords for each book and chapter without a subscription.
If you have purchased a print title that contains an access token, please see the token for information about how to register your code.