- Copyright Page
- Abbreviations of Poe’s Works
- Contributors
- Introduction: The Unfolding Investigation of Edgar Poe
- An Orphan’s Life: 1809-1831
- A Life in Print: 1831–1849
- Poe: A Life in Letters
- Poe’s Lives
- Orientalism in Poe’s Early Poetry
- Echoes of “the Raven”: Unoriginality in Poe’s Verse
- Poe’s Common Meter
- Early Experiments in Genre: Imitations, Burlesques, Satires
- The Perversity of Public Opinion in Poe’s Later Satires and Hoaxes
- Undead Wives and Undone Husbands: Poe’s Tales of Marriage
- Solving Mysteries in Poe, or Trying To
- Deciphering Dupin: Poe’s Ratiocinative Plots
- The Calculus of Probabilities: Contingency in “The Mystery of Marie Rogêt”
- Counterparts: Poe’s Doubles from “William Wilson” to “The Cask of Amontillado”
- Outing the Perverse: Poe’s False Confessionals
- Poe’s Survival Stories as Dying Colonialisms
- Poe’s Landscapes, Picturesque and Ideal
- Undying Enigmas in “Ligeia”
- “The Fall of the House of Usher” and the Architecture of Unreliability
- Genre, Science, and “Hans Pfaall”
- Rude Representation: Orienting the American Frontier Through the Characters in <i>Pym</i>’s Chasm
- <i>Pym</i> and Unreadability
- Poe’s Novel Explorations
- Conversations on the Body and the Soul: Transcending Death in the Angelic Dialogues and “Mesmeric Revelation”
- Making Sense of <i>Eureka</i>
- Poe the Critic: The Aesthetics of the “Tomahawk” Review
- The Marginal Center: “Pinakidia,” “Marginalia,” and “Fifty Suggestions”
- Poe the Magazinist
- Poe’s Cultural Inheritance: Literary Touchstones and the Cultivation of Erudition
- Ancestral Piles: Poe’s Gothic Materials
- Kindred Contemporaries: Lippard, Bird, Simms, Hawthorne, and Irving
- Edgar Allan Poe and His Enemies
- Bluestockings and Bohemians
- Poe and His Global Advocates
- Poe and Modern(ist) Poetry: An Impure Legacy
- An Unrequited Obsession: Poe and Modern Horror
- Dupin’s Descendants in Print and on Screen
- Poe’s Visual Legacy
- Poe and the Avant-Garde
- Postmodern Poe
- Poe and Science Fiction
- Poe and the Sciences of the Brain
- Temporal Effects: Trauma, Margaret Fuller, and “Graphicality” in Poe
- Unqualified Pleasure: Poe on Forms of Life
- Poe’s Terror Analytics
- Index
Abstract and Keywords
This essay discusses Poe’s magazine pieces that are comprised of brief quotations or fragmentary comments upon other works of literature. First, as these piecemeal pieces were artifacts from “the Magazine Prison-House” in which Poe labored, the essay will set out to establish their functions within Poe’s editorial work and his sense of their relation to public and literary erudition. Second, because Poe recycled or returned to many of these marginal comments in the making of his essays, tales, and poems, they are discussed as building blocks or conceptual nodes for his various creative endeavors. Third, the essay will discuss the critical strategies within these pieces that served Poe more generally as statements of opinion on a range of literary topics (e.g., originality/plagiarism, transcendentalism, rationale of verse). The essay concludes by discussing the importance of the marginal as a critical position from which Poe would make his literary inventions and interventions.
Keywords: Edgar Allan Poe, Marginalia, Pinakidia, Fifty Suggestions, creativity, criticism, plagiarism, replication
Department of English, Michigan State University
Access to the complete content on Oxford Handbooks Online requires a subscription or purchase. Public users are able to search the site and view the abstracts and keywords for each book and chapter without a subscription.
Please subscribe or login to access full text content.
If you have purchased a print title that contains an access token, please see the token for information about how to register your code.
For questions on access or troubleshooting, please check our FAQs, and if you can''t find the answer there, please contact us.
- Copyright Page
- Abbreviations of Poe’s Works
- Contributors
- Introduction: The Unfolding Investigation of Edgar Poe
- An Orphan’s Life: 1809-1831
- A Life in Print: 1831–1849
- Poe: A Life in Letters
- Poe’s Lives
- Orientalism in Poe’s Early Poetry
- Echoes of “the Raven”: Unoriginality in Poe’s Verse
- Poe’s Common Meter
- Early Experiments in Genre: Imitations, Burlesques, Satires
- The Perversity of Public Opinion in Poe’s Later Satires and Hoaxes
- Undead Wives and Undone Husbands: Poe’s Tales of Marriage
- Solving Mysteries in Poe, or Trying To
- Deciphering Dupin: Poe’s Ratiocinative Plots
- The Calculus of Probabilities: Contingency in “The Mystery of Marie Rogêt”
- Counterparts: Poe’s Doubles from “William Wilson” to “The Cask of Amontillado”
- Outing the Perverse: Poe’s False Confessionals
- Poe’s Survival Stories as Dying Colonialisms
- Poe’s Landscapes, Picturesque and Ideal
- Undying Enigmas in “Ligeia”
- “The Fall of the House of Usher” and the Architecture of Unreliability
- Genre, Science, and “Hans Pfaall”
- Rude Representation: Orienting the American Frontier Through the Characters in <i>Pym</i>’s Chasm
- <i>Pym</i> and Unreadability
- Poe’s Novel Explorations
- Conversations on the Body and the Soul: Transcending Death in the Angelic Dialogues and “Mesmeric Revelation”
- Making Sense of <i>Eureka</i>
- Poe the Critic: The Aesthetics of the “Tomahawk” Review
- The Marginal Center: “Pinakidia,” “Marginalia,” and “Fifty Suggestions”
- Poe the Magazinist
- Poe’s Cultural Inheritance: Literary Touchstones and the Cultivation of Erudition
- Ancestral Piles: Poe’s Gothic Materials
- Kindred Contemporaries: Lippard, Bird, Simms, Hawthorne, and Irving
- Edgar Allan Poe and His Enemies
- Bluestockings and Bohemians
- Poe and His Global Advocates
- Poe and Modern(ist) Poetry: An Impure Legacy
- An Unrequited Obsession: Poe and Modern Horror
- Dupin’s Descendants in Print and on Screen
- Poe’s Visual Legacy
- Poe and the Avant-Garde
- Postmodern Poe
- Poe and Science Fiction
- Poe and the Sciences of the Brain
- Temporal Effects: Trauma, Margaret Fuller, and “Graphicality” in Poe
- Unqualified Pleasure: Poe on Forms of Life
- Poe’s Terror Analytics
- Index