- Introduction: Towards an Archaeology and Anthropology of Rock Art
- Interpretative Frameworks and the Study of the Rock Arts
- North European Rock Art: A Long-Term Perspective
- The Rock Art of Sub-Scandinavian Europe
- The Archaeology of Rock Art in Northern Africa
- The Rock Art of Sub-Saharan Africa
- Rock Art of Northern, Central, and Western Asia
- The Rock Art of South and East Asia
- Australia’s Rock Art Heritage: A Thematic Approach to Assessing Scientific Value
- Rock Art of the Pacific: Context and Intertextuality
- Rock Art of North America
- Rock Art in Central and South America: Social Settings and Regional Diversity
- Tracing Symbolic Behaviour Across the Southern Arc
- Signalling Theory and Durable Symbolic Expression
- The Psychology of Graphic Perception
- European Palaeolithic Rock Art and Spatial Structures
- Art and Environment: How Can Rock Art Inform on Past Environments?
- Images of Animals in Rock Art: Not Just ‘Good to Think’
- Plants Before Animals?: Aboriginal Rock Art as Evidence of Ecoscaping in Australia’s Kimberley
- ‘Enigmatic Images from Remote Prehistory’: Rock Art and Ontology from a European Perspective
- Rock Art, Music, and Acoustics: A Global Overview
- The Production of Ethnographic Records and Their Use in Rock Art Research
- Rock Art and Ethnography in Australia
- Rock Arts, Shamans, and Grand Theories
- A New Framework for Interpreting Contact Rock Art: Reassessing the Rock Art at Nackara Springs, South Australia
- Creolization in the Investigation of Rock Art of the Colonial Era
- Out of Time and Place: Graffiti and Rock Art Research
- Memory, Materiality, and Place in Ojibway Rock Art Performances
- Rock Art as Cultural Expressions of Social Relationships and Kinship
- Bodies Revealed: X-ray Art in Western Arnhem Land
- Rock Art and Aesthetics
- The Science of Rock Art Research
- Recording Rock Art: Strategies, Challenges, and Embracing the Digital Revolution
- GIS in Rock Art Studies
- 3-D Modelling in Rock Art Research: Terrestrial Laser Scanning, Photogrammetry, and the Time Factor
- Archaeomorphological Mapping: Rock Art and the Architecture of Place
- Taphonomy on the Surface of the Rock Wall: Rock-Paint-Atmosphere Interactions
- Characterizing Rock Art Pigments
- The Use of Harris Matrices in Rock Art Research
- Radiocarbon Dating in Rock Art Research
- Optical Dating of Rock Art
- Uranium-Thorium Dating of Cave Art
- Cultural and Intellectual Property Rights in Rock Art: A Case Study of Australian Indigenous Art
- The Conservation and Management of Rock Art: An Integrated Approach
- Rock Art Tourism
- Past Images, Contemporary Practices: Reuse of Rock Art Images in Contemporary San Art of Southern Africa
- The Use and Reuse of Rock Art Designs in Contemporary Jewellery and Wearable Art
- Visiting Gonjorong’s Cave
Abstract and Keywords
Rock art tourism facilities at publicly accessible sites range widely from a total absence of purpose-built infrastructure to multimillion-dollar interpretation centres, and from free and unrestricted visitation to full fee-paying, highly mediated visitation experiences run by tourism professionals. This chapter addresses questions surrounding the principles and practices of rock art tourism development in conjunction with issues of heritage management and conservation; each site is different, and development practices in one area cannot simply be transferred to another, although common methodologies may be followed. The most appropriate developments are constructed by first understanding the significance of places through genuine consultative processes that include all interested parties. Using examples from around the world, the authors provide an historical overview of rock art tourism in caves and open-air sites and discuss integrated rock art tourism management with a focus on conservation, interpretation, territoriality, and cultural connectivities.
Keywords: rock art tourism, integrated management, conservation, interpretation, heritage values, decolonization
Laboratoire EDYTEM, CNRS/Université de Savoie Mont Blanc/Ministry of Culture, France; Rock Art Research Institute GAES, University of Witwatersrand, South Africa
Laboratoire EDYTEM, CNRS/Université de Savoie Mont Blanc/Ministry of Culture, France
Centre for Rock Art Research + Management, School of Social Sciences, University of Western Australia, Australia; Rock Art Research Institute GAES, University of Witwatersrand, South Africa
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- Introduction: Towards an Archaeology and Anthropology of Rock Art
- Interpretative Frameworks and the Study of the Rock Arts
- North European Rock Art: A Long-Term Perspective
- The Rock Art of Sub-Scandinavian Europe
- The Archaeology of Rock Art in Northern Africa
- The Rock Art of Sub-Saharan Africa
- Rock Art of Northern, Central, and Western Asia
- The Rock Art of South and East Asia
- Australia’s Rock Art Heritage: A Thematic Approach to Assessing Scientific Value
- Rock Art of the Pacific: Context and Intertextuality
- Rock Art of North America
- Rock Art in Central and South America: Social Settings and Regional Diversity
- Tracing Symbolic Behaviour Across the Southern Arc
- Signalling Theory and Durable Symbolic Expression
- The Psychology of Graphic Perception
- European Palaeolithic Rock Art and Spatial Structures
- Art and Environment: How Can Rock Art Inform on Past Environments?
- Images of Animals in Rock Art: Not Just ‘Good to Think’
- Plants Before Animals?: Aboriginal Rock Art as Evidence of Ecoscaping in Australia’s Kimberley
- ‘Enigmatic Images from Remote Prehistory’: Rock Art and Ontology from a European Perspective
- Rock Art, Music, and Acoustics: A Global Overview
- The Production of Ethnographic Records and Their Use in Rock Art Research
- Rock Art and Ethnography in Australia
- Rock Arts, Shamans, and Grand Theories
- A New Framework for Interpreting Contact Rock Art: Reassessing the Rock Art at Nackara Springs, South Australia
- Creolization in the Investigation of Rock Art of the Colonial Era
- Out of Time and Place: Graffiti and Rock Art Research
- Memory, Materiality, and Place in Ojibway Rock Art Performances
- Rock Art as Cultural Expressions of Social Relationships and Kinship
- Bodies Revealed: X-ray Art in Western Arnhem Land
- Rock Art and Aesthetics
- The Science of Rock Art Research
- Recording Rock Art: Strategies, Challenges, and Embracing the Digital Revolution
- GIS in Rock Art Studies
- 3-D Modelling in Rock Art Research: Terrestrial Laser Scanning, Photogrammetry, and the Time Factor
- Archaeomorphological Mapping: Rock Art and the Architecture of Place
- Taphonomy on the Surface of the Rock Wall: Rock-Paint-Atmosphere Interactions
- Characterizing Rock Art Pigments
- The Use of Harris Matrices in Rock Art Research
- Radiocarbon Dating in Rock Art Research
- Optical Dating of Rock Art
- Uranium-Thorium Dating of Cave Art
- Cultural and Intellectual Property Rights in Rock Art: A Case Study of Australian Indigenous Art
- The Conservation and Management of Rock Art: An Integrated Approach
- Rock Art Tourism
- Past Images, Contemporary Practices: Reuse of Rock Art Images in Contemporary San Art of Southern Africa
- The Use and Reuse of Rock Art Designs in Contemporary Jewellery and Wearable Art
- Visiting Gonjorong’s Cave