- Introduction: Towards an Archaeology and Anthropology of Rock Art
- Interpretative Frameworks and the Study of the Rock Arts
- North European Rock Art: A Long-Term Perspective
- The Rock Art of Sub-Scandinavian Europe
- The Archaeology of Rock Art in Northern Africa
- The Rock Art of Sub-Saharan Africa
- Rock Art of Northern, Central, and Western Asia
- The Rock Art of South and East Asia
- Australia’s Rock Art Heritage: A Thematic Approach to Assessing Scientific Value
- Rock Art of the Pacific: Context and Intertextuality
- Rock Art of North America
- Rock Art in Central and South America: Social Settings and Regional Diversity
- Tracing Symbolic Behaviour Across the Southern Arc
- Signalling Theory and Durable Symbolic Expression
- The Psychology of Graphic Perception
- European Palaeolithic Rock Art and Spatial Structures
- Art and Environment: How Can Rock Art Inform on Past Environments?
- Images of Animals in Rock Art: Not Just ‘Good to Think’
- Plants Before Animals?: Aboriginal Rock Art as Evidence of Ecoscaping in Australia’s Kimberley
- ‘Enigmatic Images from Remote Prehistory’: Rock Art and Ontology from a European Perspective
- Rock Art, Music, and Acoustics: A Global Overview
- The Production of Ethnographic Records and Their Use in Rock Art Research
- Rock Art and Ethnography in Australia
- Rock Arts, Shamans, and Grand Theories
- A New Framework for Interpreting Contact Rock Art: Reassessing the Rock Art at Nackara Springs, South Australia
- Creolization in the Investigation of Rock Art of the Colonial Era
- Out of Time and Place: Graffiti and Rock Art Research
- Memory, Materiality, and Place in Ojibway Rock Art Performances
- Rock Art as Cultural Expressions of Social Relationships and Kinship
- Bodies Revealed: X-ray Art in Western Arnhem Land
- Rock Art and Aesthetics
- The Science of Rock Art Research
- Recording Rock Art: Strategies, Challenges, and Embracing the Digital Revolution
- GIS in Rock Art Studies
- 3-D Modelling in Rock Art Research: Terrestrial Laser Scanning, Photogrammetry, and the Time Factor
- Archaeomorphological Mapping: Rock Art and the Architecture of Place
- Taphonomy on the Surface of the Rock Wall: Rock-Paint-Atmosphere Interactions
- Characterizing Rock Art Pigments
- The Use of Harris Matrices in Rock Art Research
- Radiocarbon Dating in Rock Art Research
- Optical Dating of Rock Art
- Uranium-Thorium Dating of Cave Art
- Cultural and Intellectual Property Rights in Rock Art: A Case Study of Australian Indigenous Art
- The Conservation and Management of Rock Art: An Integrated Approach
- Rock Art Tourism
- Past Images, Contemporary Practices: Reuse of Rock Art Images in Contemporary San Art of Southern Africa
- The Use and Reuse of Rock Art Designs in Contemporary Jewellery and Wearable Art
- Visiting Gonjorong’s Cave
Abstract and Keywords
This chapter develops links between theoretical frameworks in social and biological sciences about the origins and maintenance of durable stylistic traditions of graphic representation, exploring the role that symbolic performance plays in facilitating cooperation and collective action. The foundations of human propensities for coordinating complex social interactions lie in our ability for shared intentionality: we can represent to ourselves the interior lives and intentional states of others. This empathic capacity likely emerged in novel rearing environments of cooperative breeding, where infant survival required discerning and trusting the intent of many different possible caretakers. Trust in many arenas of interaction is ensured primarily through symbolic signalling, whereby communication of underlying qualities and motivations is made honest through costly performance. The authors draw on traditions in street art and rock art to illustrate how graphic representations serve as an important type of signalling system whose design serves to coordinate complex social interaction.
Keywords: behavioural ecology, signalling systems, shared intentionality, semiotics, rock art, street art
Department of Anthropology, Pennsylvania State University
Department of Anthropology, Pennsylvania State University
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- Introduction: Towards an Archaeology and Anthropology of Rock Art
- Interpretative Frameworks and the Study of the Rock Arts
- North European Rock Art: A Long-Term Perspective
- The Rock Art of Sub-Scandinavian Europe
- The Archaeology of Rock Art in Northern Africa
- The Rock Art of Sub-Saharan Africa
- Rock Art of Northern, Central, and Western Asia
- The Rock Art of South and East Asia
- Australia’s Rock Art Heritage: A Thematic Approach to Assessing Scientific Value
- Rock Art of the Pacific: Context and Intertextuality
- Rock Art of North America
- Rock Art in Central and South America: Social Settings and Regional Diversity
- Tracing Symbolic Behaviour Across the Southern Arc
- Signalling Theory and Durable Symbolic Expression
- The Psychology of Graphic Perception
- European Palaeolithic Rock Art and Spatial Structures
- Art and Environment: How Can Rock Art Inform on Past Environments?
- Images of Animals in Rock Art: Not Just ‘Good to Think’
- Plants Before Animals?: Aboriginal Rock Art as Evidence of Ecoscaping in Australia’s Kimberley
- ‘Enigmatic Images from Remote Prehistory’: Rock Art and Ontology from a European Perspective
- Rock Art, Music, and Acoustics: A Global Overview
- The Production of Ethnographic Records and Their Use in Rock Art Research
- Rock Art and Ethnography in Australia
- Rock Arts, Shamans, and Grand Theories
- A New Framework for Interpreting Contact Rock Art: Reassessing the Rock Art at Nackara Springs, South Australia
- Creolization in the Investigation of Rock Art of the Colonial Era
- Out of Time and Place: Graffiti and Rock Art Research
- Memory, Materiality, and Place in Ojibway Rock Art Performances
- Rock Art as Cultural Expressions of Social Relationships and Kinship
- Bodies Revealed: X-ray Art in Western Arnhem Land
- Rock Art and Aesthetics
- The Science of Rock Art Research
- Recording Rock Art: Strategies, Challenges, and Embracing the Digital Revolution
- GIS in Rock Art Studies
- 3-D Modelling in Rock Art Research: Terrestrial Laser Scanning, Photogrammetry, and the Time Factor
- Archaeomorphological Mapping: Rock Art and the Architecture of Place
- Taphonomy on the Surface of the Rock Wall: Rock-Paint-Atmosphere Interactions
- Characterizing Rock Art Pigments
- The Use of Harris Matrices in Rock Art Research
- Radiocarbon Dating in Rock Art Research
- Optical Dating of Rock Art
- Uranium-Thorium Dating of Cave Art
- Cultural and Intellectual Property Rights in Rock Art: A Case Study of Australian Indigenous Art
- The Conservation and Management of Rock Art: An Integrated Approach
- Rock Art Tourism
- Past Images, Contemporary Practices: Reuse of Rock Art Images in Contemporary San Art of Southern Africa
- The Use and Reuse of Rock Art Designs in Contemporary Jewellery and Wearable Art
- Visiting Gonjorong’s Cave